{"title":"开创中国当代艺术的思想史——艺术史写作与关系美学","authors":"Zhao Changping","doi":"10.1080/10971467.2015.1262631","DOIUrl":null,"url":null,"abstract":"EDITOR’S ABSTRACT Zha Changping takes inspiration from Western art theories and applies them to a contemporary Chinese context. The article has an ontological perspective, discussing how the concept of “relational aesthetics” manifests in Chinese contemporary art. It also discusses its relation to the history of ideas. The focus is on art, but the ontological perspectives on creation and humanity are universal.","PeriodicalId":42082,"journal":{"name":"CONTEMPORARY CHINESE THOUGHT","volume":"47 1","pages":"286 - 294"},"PeriodicalIF":0.4000,"publicationDate":"2016-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10971467.2015.1262631","citationCount":"0","resultStr":"{\"title\":\"The History of Ideas in Pioneering Contemporary Chinese Art—Art History Writing and Relational Aesthetics\",\"authors\":\"Zhao Changping\",\"doi\":\"10.1080/10971467.2015.1262631\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"EDITOR’S ABSTRACT Zha Changping takes inspiration from Western art theories and applies them to a contemporary Chinese context. The article has an ontological perspective, discussing how the concept of “relational aesthetics” manifests in Chinese contemporary art. It also discusses its relation to the history of ideas. The focus is on art, but the ontological perspectives on creation and humanity are universal.\",\"PeriodicalId\":42082,\"journal\":{\"name\":\"CONTEMPORARY CHINESE THOUGHT\",\"volume\":\"47 1\",\"pages\":\"286 - 294\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2016-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/10971467.2015.1262631\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CONTEMPORARY CHINESE THOUGHT\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10971467.2015.1262631\",\"RegionNum\":3,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CONTEMPORARY CHINESE THOUGHT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10971467.2015.1262631","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
The History of Ideas in Pioneering Contemporary Chinese Art—Art History Writing and Relational Aesthetics
EDITOR’S ABSTRACT Zha Changping takes inspiration from Western art theories and applies them to a contemporary Chinese context. The article has an ontological perspective, discussing how the concept of “relational aesthetics” manifests in Chinese contemporary art. It also discusses its relation to the history of ideas. The focus is on art, but the ontological perspectives on creation and humanity are universal.
期刊介绍:
This wide ranging journal is essential reading for anyone who wants to understand the diverse themes and influences that shape Chinese thought today. It features translations of the most current and influential Chinese writings on all aspects of philosophical endeavor, from theoretical essays on systems to studies of China"s cultural and religious development, from interpretations of the Chinese classics to exegeses on Marxist thought.