易卜生接受史比较的六个要点

IF 0.6 0 THEATER Ibsen Studies Pub Date : 2014-01-02 DOI:10.1080/15021866.2014.937151

Giuliano D’Amico

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引用次数: 6

摘要

文学比较的一个前提是……是在时间和空间上相距甚远的文学对象之间可以建立一种身份或亲属关系[…]]，或在不同的民族作品和传统之间。在所有这些情况下，国家和国家空间被视为截然不同的整体，彼此封闭，实体彼此不可约，但基于专制的特殊性，文学对象或多或少具有可比性。(2007, 214)

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Six Points for a Comparative Ibsen Reception History

One of the postulates of literary comparison [ . . . ] is that an identity or kinship can be established between literary objects that are far removed in time and space [ . . . ], or between different national productions and traditions. In all such cases, nations and national spaces are viewed as distinct ensembles, closed in on themselves, entities that are irreducible to one another yet produce, on the basis of an autarchic specificity, literary objects that are more or less comparable. (2007, 214)

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