通过中国观众的观影体验考察中澳后期制作关系

IF 0.4 0 FILM, RADIO, TELEVISION Studies in Australasian Cinema Pub Date : 2017-09-02 DOI:10.1080/17503175.2017.1385143
K. Soh
{"title":"通过中国观众的观影体验考察中澳后期制作关系","authors":"K. Soh","doi":"10.1080/17503175.2017.1385143","DOIUrl":null,"url":null,"abstract":"ABSTRACT In recent years, China has become one of the largest film industries and in order to remain competitive, Chinese blockbusters are attempting to imitate Hollywood post-production qualities. As Australian post-production companies are internationally renowned for their expertise, Chinese filmmakers are seeking opportunities to collaborate with Australians. The Australian government recognises China’s enthusiasm and has begun highlighting the nation’s strength through various programmes targeted towards the Chinese film industry. Though efforts have been placed to promote Australia's post-production industry, there is currently minimal research on Chinese cinema audiences' opinions regarding this transnational collaboration. To examine the effects of transnationality in Chinese cinema, this paper analyses Chinese audiences' opinions, along with exploring how the Australian government and post-production companies are engaging with China, to understand the potential of this partnership. The paper utilises data collected from the Chinese social networking site Douban to understand audiences’ reception on the post-production elements of the Chinese film Hero (2002). Overall, the analysis demonstrates that Chinese audiences are not identifying Australia’s role, however the impact of Australian practitioners are being emphasised through complements on the film’s visual effects, showing great potential between this transnational collaboration.","PeriodicalId":51952,"journal":{"name":"Studies in Australasian Cinema","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2017-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17503175.2017.1385143","citationCount":"2","resultStr":"{\"title\":\"Examining the Chinese-Australian post-production relationship through Chinese audiences’ cinema experience\",\"authors\":\"K. Soh\",\"doi\":\"10.1080/17503175.2017.1385143\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT In recent years, China has become one of the largest film industries and in order to remain competitive, Chinese blockbusters are attempting to imitate Hollywood post-production qualities. As Australian post-production companies are internationally renowned for their expertise, Chinese filmmakers are seeking opportunities to collaborate with Australians. The Australian government recognises China’s enthusiasm and has begun highlighting the nation’s strength through various programmes targeted towards the Chinese film industry. Though efforts have been placed to promote Australia's post-production industry, there is currently minimal research on Chinese cinema audiences' opinions regarding this transnational collaboration. To examine the effects of transnationality in Chinese cinema, this paper analyses Chinese audiences' opinions, along with exploring how the Australian government and post-production companies are engaging with China, to understand the potential of this partnership. The paper utilises data collected from the Chinese social networking site Douban to understand audiences’ reception on the post-production elements of the Chinese film Hero (2002). Overall, the analysis demonstrates that Chinese audiences are not identifying Australia’s role, however the impact of Australian practitioners are being emphasised through complements on the film’s visual effects, showing great potential between this transnational collaboration.\",\"PeriodicalId\":51952,\"journal\":{\"name\":\"Studies in Australasian Cinema\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2017-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17503175.2017.1385143\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Australasian Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503175.2017.1385143\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Australasian Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503175.2017.1385143","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 2

摘要

近年来,中国已经成为最大的电影产业之一,为了保持竞争力,中国大片正试图模仿好莱坞的后期制作质量。由于澳大利亚的后期制作公司以其专业知识而享誉国际,中国电影人正在寻求与澳大利亚合作的机会。澳大利亚政府认识到中国的热情,并开始通过各种针对中国电影产业的项目来突出该国的实力。尽管澳大利亚一直在努力推动后期制作产业的发展,但目前关于中国电影观众对这种跨国合作的看法的研究很少。为了考察跨国对中国电影的影响,本文分析了中国观众的看法,并探讨了澳大利亚政府和后期制作公司如何与中国合作,以了解这种合作关系的潜力。本文利用中国社交网站豆瓣收集的数据来了解观众对中国电影《英雄》(2002)后期制作元素的接受程度。总体而言,分析表明,中国观众并没有认同澳大利亚的角色,但澳大利亚从业者的影响正在通过对电影视觉效果的补充而得到强调,显示出这种跨国合作的巨大潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Examining the Chinese-Australian post-production relationship through Chinese audiences’ cinema experience
ABSTRACT In recent years, China has become one of the largest film industries and in order to remain competitive, Chinese blockbusters are attempting to imitate Hollywood post-production qualities. As Australian post-production companies are internationally renowned for their expertise, Chinese filmmakers are seeking opportunities to collaborate with Australians. The Australian government recognises China’s enthusiasm and has begun highlighting the nation’s strength through various programmes targeted towards the Chinese film industry. Though efforts have been placed to promote Australia's post-production industry, there is currently minimal research on Chinese cinema audiences' opinions regarding this transnational collaboration. To examine the effects of transnationality in Chinese cinema, this paper analyses Chinese audiences' opinions, along with exploring how the Australian government and post-production companies are engaging with China, to understand the potential of this partnership. The paper utilises data collected from the Chinese social networking site Douban to understand audiences’ reception on the post-production elements of the Chinese film Hero (2002). Overall, the analysis demonstrates that Chinese audiences are not identifying Australia’s role, however the impact of Australian practitioners are being emphasised through complements on the film’s visual effects, showing great potential between this transnational collaboration.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Studies in Australasian Cinema
Studies in Australasian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.50
自引率
0.00%
发文量
7
期刊最新文献
By way of North: reorienting the feminine other in Australian film The impacts of ethnic and mainstream culture on Māori-themed films Mad Max and the Western ‘Falling leaves return to their roots’? The reception of Chinese blockbusters by Chinese university students in New Zealand The forgotten history of the Australian film musical: tracking the production and development of the genre in Australia
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1