眼睛里的记忆。对图像和历史的反思:我们能定义哥伦比亚的剧目吗?

A. Merlo
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引用次数: 0

摘要

图像与记忆和历史建立了怎样的关系?换句话说:在对过去事件的特定叙述中,图片的作用是什么?特别是,图像如何总结这一事件,并几乎成为它的记忆替代品?我们想要将图像视为不仅是知识和历史记忆的载体,而且是个体和集体外观的(非中立的)构造者。最后,文章的目的是询问哥伦比亚人是否对他们最近的过去有一种特定的印象,如果是这样,那么为什么这些印象,而不是其他印象,会盛行。为了做到这一点,我们批判性地将世俗图标的概念应用于一组学生进行的练习中。
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La memoria en los ojos. Reflexiones sobre imágenes e historia: ¿podemos definir un repertorio colombiano?
What is the relationship that images establish with memory and history? In other words: What is the function pictures have in a particular narration of past events and, specially, how can an image summarize this event and be, almost, its mnemonic substitute? We want to think of images, not only as a vehicle of knowledge and historical memory, but also of a (non-neutral) constructor of an individual and collective look. Finally, the text aims to ask if Colombians share a specific repertoire of images of their recent past and, if so, question why those images, and not any other, have prevailed. In order to do this, we critically use the concept of secular icon applied to an exercise carried out with a group of students.
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