{"title":"Marta minuji的破坏性干预","authors":"Michaëla de Lacaze Mohrmann","doi":"10.1162/ARTM_A_00263","DOIUrl":null,"url":null,"abstract":"On June 6, 1963, after living in Paris for several months, Argentine artist Marta Minujin performed her first happening, The Destruction, at the Impasse Ronsin, the now legendary abode of many mode...","PeriodicalId":41203,"journal":{"name":"ARTMargins","volume":"9 1","pages":"61-84"},"PeriodicalIF":0.2000,"publicationDate":"2020-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Marta Minujín's Destructive Intervention\",\"authors\":\"Michaëla de Lacaze Mohrmann\",\"doi\":\"10.1162/ARTM_A_00263\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"On June 6, 1963, after living in Paris for several months, Argentine artist Marta Minujin performed her first happening, The Destruction, at the Impasse Ronsin, the now legendary abode of many mode...\",\"PeriodicalId\":41203,\"journal\":{\"name\":\"ARTMargins\",\"volume\":\"9 1\",\"pages\":\"61-84\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-06-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARTMargins\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/ARTM_A_00263\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARTMargins","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/ARTM_A_00263","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
On June 6, 1963, after living in Paris for several months, Argentine artist Marta Minujin performed her first happening, The Destruction, at the Impasse Ronsin, the now legendary abode of many mode...
期刊介绍：
ARTMargins publishes scholarly articles and essays about contemporary art, media, architecture, and critical theory. ARTMargins studies art practices and visual culture in the emerging global margins, from North Africa and the Middle East to the Americas, Eastern and Western Europe, Asia and Australasia. The journal acts as a forum for scholars, theoreticians, and critics from a variety of disciplines who are interested in art and politics in transitional countries and regions; postsocialism and neo-liberalism; postmodernism and postcolonialism, and their critiques; and the problem of global art and global art history and its methodologies.
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