{"title":"树与花冠:在斯凯尔顿的《月桂》中想要月桂","authors":"Kreg Segall","doi":"10.1163/23526963-04202002","DOIUrl":null,"url":null,"abstract":"This essay argues that the various images of the laurel wreath and laureation in John Skelton’s The Laurel are marked by ambivalence. Far from a unified and full-throated celebration of his own achievements, the poem partakes of good-humored self-parody, serious self-mockery, and open disgust to undermine and question the political and aesthetic significance of the laurel, and what one must do to achieve it. The Laurel acknowledges and mocks the laureate’s impossible balancing act between a prophetic role as vates and a political role as orator regius ; this essay suggests that this tension is played out in the poem as Skelton considers the appealing immediacy of oral poetry and the compromises of written poetry.","PeriodicalId":55910,"journal":{"name":"Explorations in Renaissance Culture","volume":"42 1","pages":"124-164"},"PeriodicalIF":0.1000,"publicationDate":"2016-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/23526963-04202002","citationCount":"0","resultStr":"{\"title\":\"The Tree and the Chaplet: Wanting the Laurel in Skelton’s The Laurel\",\"authors\":\"Kreg Segall\",\"doi\":\"10.1163/23526963-04202002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay argues that the various images of the laurel wreath and laureation in John Skelton’s The Laurel are marked by ambivalence. Far from a unified and full-throated celebration of his own achievements, the poem partakes of good-humored self-parody, serious self-mockery, and open disgust to undermine and question the political and aesthetic significance of the laurel, and what one must do to achieve it. The Laurel acknowledges and mocks the laureate’s impossible balancing act between a prophetic role as vates and a political role as orator regius ; this essay suggests that this tension is played out in the poem as Skelton considers the appealing immediacy of oral poetry and the compromises of written poetry.\",\"PeriodicalId\":55910,\"journal\":{\"name\":\"Explorations in Renaissance Culture\",\"volume\":\"42 1\",\"pages\":\"124-164\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2016-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1163/23526963-04202002\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Explorations in Renaissance Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/23526963-04202002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Explorations in Renaissance Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/23526963-04202002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
The Tree and the Chaplet: Wanting the Laurel in Skelton’s The Laurel
This essay argues that the various images of the laurel wreath and laureation in John Skelton’s The Laurel are marked by ambivalence. Far from a unified and full-throated celebration of his own achievements, the poem partakes of good-humored self-parody, serious self-mockery, and open disgust to undermine and question the political and aesthetic significance of the laurel, and what one must do to achieve it. The Laurel acknowledges and mocks the laureate’s impossible balancing act between a prophetic role as vates and a political role as orator regius ; this essay suggests that this tension is played out in the poem as Skelton considers the appealing immediacy of oral poetry and the compromises of written poetry.