树与花冠:在斯凯尔顿的《月桂》中想要月桂

IF 0.1 N/A MEDIEVAL & RENAISSANCE STUDIES Explorations in Renaissance Culture Pub Date : 2016-11-29 DOI:10.1163/23526963-04202002
Kreg Segall
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引用次数: 0

摘要

本文认为,约翰·斯凯尔顿的《桂冠》中关于桂冠和桂冠的各种意象都带有矛盾心理。这首诗并不是对他自己成就的统一和全面的庆祝,而是幽默的自我模仿,严肃的自嘲,以及公开的厌恶,以破坏和质疑桂冠的政治和美学意义,以及人们必须做些什么来实现它。桂冠承认并嘲笑了获奖者在作为预言家的角色和作为演说家的政治角色之间不可能实现的平衡;这篇文章表明,这种张力在诗中表现出来,因为斯凯尔顿认为口头诗歌的吸引力直接和书面诗歌的妥协。
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The Tree and the Chaplet: Wanting the Laurel in Skelton’s The Laurel
This essay argues that the various images of the laurel wreath and laureation in John Skelton’s The Laurel are marked by ambivalence. Far from a unified and full-throated celebration of his own achievements, the poem partakes of good-humored self-parody, serious self-mockery, and open disgust to undermine and question the political and aesthetic significance of the laurel, and what one must do to achieve it. The Laurel acknowledges and mocks the laureate’s impossible balancing act between a prophetic role as vates and a political role as orator regius ; this essay suggests that this tension is played out in the poem as Skelton considers the appealing immediacy of oral poetry and the compromises of written poetry.
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Explorations in Renaissance Culture
Explorations in Renaissance Culture MEDIEVAL & RENAISSANCE STUDIES-
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0.20
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11
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