像猫一样的瘟疫

IF 0.1 N/A MEDIEVAL & RENAISSANCE STUDIES Explorations in Renaissance Culture Pub Date : 2015-03-16 DOI:10.1163/23526963-04101001
C. I. Cox
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引用次数: 0

摘要

尽管许多学者都承认威廉·鲍德温(William Baldwin)的《当心猫》(Beware the Cat)诙谐的叙事中交织着黑暗的线索,但他们在很大程度上忽略了瘟疫在强化这部作品迫在眉睫的危险感方面所起的作用。鲍德温通过在叙事的各个层面上提到瘟疫,强化了我们的危在感。在《当心猫》中,传染性疾病象征性地与其他形式的神的惩罚融合在一起。这些症状包括兽性的转变、滑稽的暴露和痛苦的折磨,尤其是被猫咬、抓、勒死和窒息的令人吃惊的外表和痛苦。这些都是上帝惩罚他的创造物的方式。鲍德温强调瘟疫是上帝对罪恶的报复,这成为猫最重要的意义之一,也是我们理解主人公格雷戈里·斯特拉普奇怪追求的关键。
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Plague like Cats
Although many scholars have acknowledged the dark thread interwoven into William Baldwin’s playful narrative Beware the Cat, they have largely ignored the role of plague in heightening the work’s sense of impending danger. Baldwin intensifies our sense of peril by including at every level of his narrative references to plague. In Beware the Cat, contagious disease symbolically melds with other kinds of divine punishment. These include bestial transformations, farcical exposure, and painful afflictions, especially the startling appearances of and painful biting, scratching, strangling, and suffocation by cats. All are ways that God punishes his creatures for their abominations. Baldwin’s emphasis on plague as God’s vengeance for sin becomes one of the cats’ most significant meanings and a key to our understanding of the protagonist Gregory Streamer’s strange quest.
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来源期刊
Explorations in Renaissance Culture
Explorations in Renaissance Culture MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.20
自引率
0.00%
发文量
11
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