音乐教育与“音乐团结美洲”

J. Bannerman
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引用次数: 0

摘要

在1939年至1946年期间,音乐教育领域与拉丁美洲音乐教育家和拉丁美洲音乐进行了前所未有的跨文化努力。这些美洲国家间的努力与睦邻政策有关,在外交上强调教育和文化。音乐教育工作者与政府和非政府组织合作,开展活动,包括编写纳入拉丁美洲音乐的课程材料,供美国学校使用,并参与美洲和拉丁美洲音乐教育工作者之间的个人交流。民间音乐和艺术音乐这两种被认为适合学校的音乐类型在美洲间教育项目中得到加强。多样化课程材料和跨文化交流的努力为评估拉丁美洲音乐文化在美国音乐教育中的代表性提供了新的机会。
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Music Education and “Music for Uniting the Americas”
The field of music education was engaged in unprecedented cross-cultural efforts with Latin American music educators and Latin American music during the period between 1939 and 1946. These inter-American efforts related to the Good Neighbor policies with an emphasis on education and culture in diplomacy. Music educators collaborated with governmental and non-governmental organizations to undertake activities including the development of curricular materials incorporating Latin American music for use in US schools and participating in person-to-person exchanges between American and Latin American music educators. The two genres of music deemed appropriate for schools, folk music and art music, were reinforced in the inter-American educational projects. This combination of efforts to diversify curricular materials and cross-cultural exchanges provided new opportunities for assessing the representation of Latin American musical cultures in US music education.
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WITHDRAWAL-Administrative Duplicate Publication: Book Review: Mary Stakelum, ed, Developing the Musician: Contemporary Perspectives on Teaching and Learning Corrigendum to “Challenges and Successes During the Early Years of the Nsukka Music School” A Century of Band Contest Literature Lists: From National Origins to the State of Florida Charles Darwin, Percy Grainger, and John Blacking: Reflections on the Historical Emergence of Music as a Human Universal Book Review: Orff Schulwerk in Diverse Cultures: An Idea That Went Round the World
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