{"title":"无花果叶、荆棘和黎巴嫩的雪松:《圣经》和《圣经》之外的沉默和会说话的植物","authors":"A. Mengozzi","doi":"10.13135/1825-263X/1875","DOIUrl":null,"url":null,"abstract":"A number of Hebrew and Aramaic texts in which trees and plants appear as speaking characters are here published in Italian translation: the parable of the trees in Judges 9, a haggadic expansion of Midrash Esther Rabbah upon Esther 5:14, a hymn inserted before Esther 7:10 in the Targum Sheni , and the two extant stanzas of a Classical Syriac dispute between The vine and the cedar . They exhibit a high level of literary elaboration and have rhythm and structure similar to the Mesopotamian dispute. Plants and trees are humanized as spokesmen who, sometimes ironically and playfully, put into stage values and knowledge of the Bible centred culture of their authors, audiences and readerships. The midrashic and targumic texts organize Biblical quotations on trees and plants in the form of brilliant debates that were possibly used for pedagogical purposes. The Classical Syriac dispute of the vine and the cedar by David bar Pawlos (8th-9th century) has a more learned character and recalls one of the elegant reuse of traditional forms and themes in Arabic adab texts.","PeriodicalId":37635,"journal":{"name":"Kervan","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2016-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Fig leaves, bramble thorns and cedars of Lebanon: silent and talking plants in the Bible and beyond\",\"authors\":\"A. Mengozzi\",\"doi\":\"10.13135/1825-263X/1875\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A number of Hebrew and Aramaic texts in which trees and plants appear as speaking characters are here published in Italian translation: the parable of the trees in Judges 9, a haggadic expansion of Midrash Esther Rabbah upon Esther 5:14, a hymn inserted before Esther 7:10 in the Targum Sheni , and the two extant stanzas of a Classical Syriac dispute between The vine and the cedar . They exhibit a high level of literary elaboration and have rhythm and structure similar to the Mesopotamian dispute. Plants and trees are humanized as spokesmen who, sometimes ironically and playfully, put into stage values and knowledge of the Bible centred culture of their authors, audiences and readerships. The midrashic and targumic texts organize Biblical quotations on trees and plants in the form of brilliant debates that were possibly used for pedagogical purposes. The Classical Syriac dispute of the vine and the cedar by David bar Pawlos (8th-9th century) has a more learned character and recalls one of the elegant reuse of traditional forms and themes in Arabic adab texts.\",\"PeriodicalId\":37635,\"journal\":{\"name\":\"Kervan\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-12-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Kervan\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13135/1825-263X/1875\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kervan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13135/1825-263X/1875","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
许多希伯来语和亚拉姆语的文本中,树木和植物作为说话的角色出现在这里,并以意大利语翻译出版:《士师记》第9章中的树的寓言,《以斯帖记》第5章第14节对米德拉斯帖·拉巴的扩充,《以斯帖记》第7章第10节之前插入的赞美诗,以及现存的两节关于葡萄树和香柏树之间的古典叙利亚争论。它们表现出高度的文学精雕细琢,节奏和结构与美索不达米亚之争相似。植物和树木被人性化地作为代言人,有时是讽刺和玩笑,把舞台价值和以圣经为中心的文化知识的作者,观众和读者。米德拉西语(midrashic)和targumic文本以精彩辩论的形式组织了关于树木和植物的圣经引文,可能用于教学目的。David bar Pawlos(8 -9世纪)的古典叙利亚文关于葡萄树和雪松的争论更有学问,让人想起阿拉伯语阿达布文本中对传统形式和主题的优雅再利用。
Fig leaves, bramble thorns and cedars of Lebanon: silent and talking plants in the Bible and beyond
A number of Hebrew and Aramaic texts in which trees and plants appear as speaking characters are here published in Italian translation: the parable of the trees in Judges 9, a haggadic expansion of Midrash Esther Rabbah upon Esther 5:14, a hymn inserted before Esther 7:10 in the Targum Sheni , and the two extant stanzas of a Classical Syriac dispute between The vine and the cedar . They exhibit a high level of literary elaboration and have rhythm and structure similar to the Mesopotamian dispute. Plants and trees are humanized as spokesmen who, sometimes ironically and playfully, put into stage values and knowledge of the Bible centred culture of their authors, audiences and readerships. The midrashic and targumic texts organize Biblical quotations on trees and plants in the form of brilliant debates that were possibly used for pedagogical purposes. The Classical Syriac dispute of the vine and the cedar by David bar Pawlos (8th-9th century) has a more learned character and recalls one of the elegant reuse of traditional forms and themes in Arabic adab texts.
KervanArts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍:
The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.