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引用次数: 0
摘要
本文对印度英语小说中花园的比喻、隐喻和语言方面进行了初步探讨。在简要介绍了殖民时期和后殖民时期花园的象征意义,以及英语印度文学中花园的形象之后,重点将放在大卫·大卫达(2007)的小说《皇帝的孤独》上,以强调特定植物名和植物的共同名称作为重要的语言、文化和文本指标的相关性,这些指标通常以认知隐喻的形式用于构建和传达意义。从这个角度来看,后殖民花园成为了一个混杂的文化场所,并与过去联系在一起。考试采用跨学科方法,遵循并采用后殖民研究、文体学和叙事学的理论和方法(例如,Kovecses 2002;Jeffries and McIntyre 2010;Sorlin 2014)。
“Plants have a will of their own”: the construction of botanical metaphors and symbols in the literary garden of (postcolonial) India
This article offers a preliminary investigation of figurative, metaphorical and linguistic aspects of the garden in Indian English fiction. After providing a short introduction to the symbolism of gardens in the colonial and postcolonial periods, and to the image of the garden in Anglophone Indian literature, the focus will be on the novel The Solitude of Emperors by David Davidar (2007), in order to stress the relevance of both specific phytonyms and common names of plants as important linguistic, cultural and textual indicators employed to construct and convey meanings, often in the form of cognitive metaphors. In this light, the postcolonial garden emerges as a cultural site of hybridity and connection with the past. The examination is undertaken through an interdisciplinary approach that follows and adapts the theories and methods of postcolonial studies, stylistics and narratology (e.g. Kovecses 2002; Jeffries and McIntyre 2010; Sorlin 2014).
KervanArts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍:
The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.