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引用次数: 0
摘要
十七世纪中叶,锡耶纳圣卡特琳娜的加尔默罗会教士文森佐·玛丽亚(Vincenzo Maria)访问了印度,当他回来时,他写了一份旅行记录,名为《独立东方》(Il Viaggio alle Indie Orientali)。这项工作在意大利关于印度的旅行记录中起着关键作用。然而,尽管它很重要,但令人惊讶的是,在1683年最后一次编辑的这篇文章中,没有进行过深入的研究。本文的目的是对其进行分析,特别是提供词源学研究和对Padre Vincenzo Maria提到和解释的植物学术语的一致部分进行批判性检查。正如我们将要展示的,这些术语中有很多是第一次出现,在意大利文本中,在欧洲文本中,在Padre Vincenzo Maria的作品中,也有一些是第一次出现。
The botanical lexicon in “Il Viaggio all’Indie Orientali” by Father F. Vincenzo Maria di S. Caterina da Siena (1672)
In the middle of the XVII century the Discalced Carmelite Padre Vincenzo Maria of Saint Caterina of Siena visited India and, when he returned, drew up his travel account, titled Il Viaggio alle Indie Orientali . This work plays a key role in the context of Italian travel accounts about India. However, despite its importance, it is rather surprising that no significant research has been conducted to investigate in deep this text, edited for the last time in 1683. The aim of the present paper is to pursue its analysis, in particular offering an etymological research and a critical examination of a consistent part of the botanical terms mentioned and explained by Padre Vincenzo Maria. As we will show, many of these terms appeared for the first time, in an Italian text and in some few cases in an European one, in Padre Vincenzo Maria’ s work.
KervanArts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍:
The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.