预熟订书钉在古代日常生活中的作用:χ ο νδρος案例的一些文献证据

Q2 Arts and Humanities Kervan Pub Date : 2016-12-08 DOI:10.13135/1825-263X/1900
A. Pollio, G. Mastro
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引用次数: 0

摘要

小麦属的不同品种,以及较小程度上的小麦,可以加工成一种古希腊人称之为χ ο νδρος的产品。本文叙述了古代地中海沿岸国家χ ο νδροc的生产方法。一些文献资料证明,早在公元前3世纪,我们就在希腊-埃及纸莎草纸上发现了χ ο νδρος的使用,这些文献资料与希腊文献资料同时进行了分析。特别是,人们的注意力集中在希腊喜剧(阿里斯托芬和其他作家)的一些段落上,这些段落与公元二世纪在罗马产生的关于χ ο νδρος的起源和用途的辩论相呼应。
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The Role of Precooked Staples in Everyday Life in Antiquity: Some Documentary Evidences for the Case of χόνδρος
Different species belonging to the genus Triticum, and, to a lesser extent, Hordeum, can be processed yielding a product that the ancient Greeks called χόνδρος. In this paper the production methods of χόνδροc in circum-Mediterranean countries during Antiquity will be described.  Several documentary sources attest a very ancient use of χόνδρος that we find mentioned in Graeco-Egyptian papyri as early as the third century B.C. These documents have been analyzed in parallel with Greek literary sources. In particular, attention has been centred on some passages of Greek comedy (Aristophanes and other authors) that echo a debate born in Rome in the second century AD around the origin and uses of χόνδρος.
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来源期刊
Kervan
Kervan Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍: The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.
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