全球化印度文学中的垂死之树:环境、中产阶级和后人类意识

Q2 Arts and Humanities Kervan Pub Date : 2016-12-08 DOI:10.13135/1825-263X/1942

A. Consolaro

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引用次数: 0

摘要

本文提出了关于印度中产阶级与复杂的意义和物质环境之间的关系的主题和论点，参考了印地语领域的文学治疗，也借鉴了环境、社会文化和政治文学。它侧重于印地语短篇小说(Chandan Pandey的楝树和Alka Saraogi的树之死)和诗歌(Kunvar Narayan的树之死)中的例子，处理公民冷漠和公共领域;环境行动主义与生态思维;以及创造性写作的环境隐喻。

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Dying trees in globalizing Hindi literature: environment, middle classes, and posthuman awareness

This article presents themes and arguments concerning the relationships between India’s middle classes and the complex meanings and materialities of the environment with reference to literary treatments in the Hindi field, drawing also on environmental, social-cultural and political literature. It focuses on examples from Hindi short stories (The neem tree by Chandan Pandey and Death of a tree by Alka Saraogi) and poetry (The killing of a tree by Kunvar Narayan), dealing with civic indifference and the public sphere; environmental activism and ecological thinking; and environmental metaphors of creative writing.

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来源期刊

Kervan Arts and Humanities-Literature and Literary Theory

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

18 weeks

期刊介绍： The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.