{"title":"obj / / / subj-ectivity","authors":"Zarina Muhammad","doi":"10.1386/jwcp.13.1.55_3","DOIUrl":null,"url":null,"abstract":"This text is from ‘Art Thoughts’; a collection of texts shared on The White Pube’s website that discuss art more broadly than the Reviews section. The piece investigates how the critic positions themselves in terms of objectivity and subjectivity when their identity does not afford them the supposed authority and neutrality of the cis-het white male writer.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":"13 1","pages":"55-61"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"obj///subj—ectivity\",\"authors\":\"Zarina Muhammad\",\"doi\":\"10.1386/jwcp.13.1.55_3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This text is from ‘Art Thoughts’; a collection of texts shared on The White Pube’s website that discuss art more broadly than the Reviews section. The piece investigates how the critic positions themselves in terms of objectivity and subjectivity when their identity does not afford them the supposed authority and neutrality of the cis-het white male writer.\",\"PeriodicalId\":38498,\"journal\":{\"name\":\"Journal of Writing in Creative Practice\",\"volume\":\"13 1\",\"pages\":\"55-61\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Writing in Creative Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jwcp.13.1.55_3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Writing in Creative Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jwcp.13.1.55_3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文摘自《艺术思想》;这是在The White Pube网站上分享的一系列文本，它们讨论艺术的范围比评论部分更广泛。这篇文章调查了当批评家的身份没有赋予他们所谓的权威和中立的顺式白人男性作家时，他们是如何在客观性和主观性方面定位自己的。
This text is from ‘Art Thoughts’; a collection of texts shared on The White Pube’s website that discuss art more broadly than the Reviews section. The piece investigates how the critic positions themselves in terms of objectivity and subjectivity when their identity does not afford them the supposed authority and neutrality of the cis-het white male writer.
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