合唱:引文写作实践中的集体主体性

Q2 Arts and Humanities Journal of Writing in Creative Practice Pub Date : 2020-01-01 DOI:10.1386/jwcp.13.1.77_3
Robert Fitterman
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引用次数: 0

摘要

“合唱:引用写作实践中的集体主体性”是一篇“诗人的文章”,通过使用发现的语言来探讨考虑主体性和个人情感的新方法。通过当代诗歌中的几个例子,文章断言,一个集体的声音或“合唱”或一个像化身一样的声音作为主角可以表达一个文化时刻的情感时代精神。这篇文章认为,这种对个人和公共创伤的引用回应并不比一首更传统的抒情诗的单一表达更不合理。此外,文章强调,原始材料和发现材料之间的界限已经变得越来越模糊。作为一篇诗人的文章,一篇关于引用写作的文章,“CHORUS”故意省略了正确引用的学术使用。
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CHORUS: Collective subjectivity in quotational writing practices
‘CHORUS: Collective subjectivity in quotational writing practices’ is a ‘poet’s essay’ that examines new ways to consider subjectivity and personal affect through the use of found language. Through several examples in contemporary poetry, the essay asserts that a collective voice or ‘chorus’ or an avatar-like found voice as a protagonist can articulate the emotional zeitgeist of a cultural moment. The essay argues that this quotational response to personal and public trauma is no less legitimate than the singular articulation of a more conventional lyric poem. Further, the essay emphasizes that the boundaries between original material and found material have become increasingly blurred. As a poet’s essay, and one that addresses quotational writing, ‘CHORUS’ intentionally omits the scholarly use of proper citation.
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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