{"title":"音乐商标及其在商标与著作权法中的保护","authors":"Dominika Stopczańska","doi":"10.15290/eejtr.2019.03.01.04","DOIUrl":null,"url":null,"abstract":"The changes recently introduced in both European regulations (article 4 of the Regulation (EU) 2017/1001 of the European Parliament and of the Council of 14 June 2017 of the European Union trade mark, article 3 of the Directive (EU) 2015/2436 of the European Parliament and of the Council of 16 December 2015 to approximate the laws of Member State relating to trade marks), as well as in Polish national regulations (article 120 of the ustawa – prawo własności przemysłowej of 30 June 2000 Dz. U. no 49 position 508 with changes) make registering a sound trademark not only possible on the base of its graphical representation (musical score or sonogram) but also its recording. On the one hand, it will make registration easier, but on the other, it will signifi cantly change the nature of the subject of registration. Especially, it will concern signs which could be called musical trademarks. Their recording shall be seen as a kind of process in which each step is created by another person: the creator of the work, its performer and fi nally producer. What is the most important, each of them has his/ her own right, i.e. copyright or related right. The article will present the characteristics of musical trademarks, rights to them vested in their “creators” on the basis of Polish law and the relationships between those rights, including some specifi cs of musical trademark both as a trademark and musical work.","PeriodicalId":34800,"journal":{"name":"Eastern European Journal of Transnational Relations","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Music Trademarks and Their Protection in Trademark and Copyright Law\",\"authors\":\"Dominika Stopczańska\",\"doi\":\"10.15290/eejtr.2019.03.01.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The changes recently introduced in both European regulations (article 4 of the Regulation (EU) 2017/1001 of the European Parliament and of the Council of 14 June 2017 of the European Union trade mark, article 3 of the Directive (EU) 2015/2436 of the European Parliament and of the Council of 16 December 2015 to approximate the laws of Member State relating to trade marks), as well as in Polish national regulations (article 120 of the ustawa – prawo własności przemysłowej of 30 June 2000 Dz. U. no 49 position 508 with changes) make registering a sound trademark not only possible on the base of its graphical representation (musical score or sonogram) but also its recording. On the one hand, it will make registration easier, but on the other, it will signifi cantly change the nature of the subject of registration. Especially, it will concern signs which could be called musical trademarks. Their recording shall be seen as a kind of process in which each step is created by another person: the creator of the work, its performer and fi nally producer. What is the most important, each of them has his/ her own right, i.e. copyright or related right. The article will present the characteristics of musical trademarks, rights to them vested in their “creators” on the basis of Polish law and the relationships between those rights, including some specifi cs of musical trademark both as a trademark and musical work.\",\"PeriodicalId\":34800,\"journal\":{\"name\":\"Eastern European Journal of Transnational Relations\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Eastern European Journal of Transnational Relations\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15290/eejtr.2019.03.01.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Eastern European Journal of Transnational Relations","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15290/eejtr.2019.03.01.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
最近推出了在欧洲法规变化(第四条规定(欧盟)2017/1001的欧洲议会和理事会2017年6月14日的欧盟商标,3条指令(欧盟)2015/2436的欧洲议会和理事会2015年12月16日近似成员国有关商标的法律),以及在波兰国家规定(第120条ustawa——prawo własności przemysłowej 2000年6月30日Dz。美国第49号,第508号,修改后)使得注册声音商标不仅可以根据其图形表示(乐谱或声谱图),而且可以根据其录音。一方面,它将使注册更容易,但另一方面,它将显著改变注册主体的性质。特别是,它将涉及可称为音乐商标的标志。他们的录音应被视为一种过程,其中的每一步都是由另一个人创造的:作品的创作者、表演者和最终的制作人。最重要的是,他们每个人都有自己的权利,即版权或相关权。本文将介绍音乐商标的特点,根据波兰法律赋予其“创作者”的权利,以及这些权利之间的关系,包括音乐商标作为商标和音乐作品的一些具体情况。
Music Trademarks and Their Protection in Trademark and Copyright Law
The changes recently introduced in both European regulations (article 4 of the Regulation (EU) 2017/1001 of the European Parliament and of the Council of 14 June 2017 of the European Union trade mark, article 3 of the Directive (EU) 2015/2436 of the European Parliament and of the Council of 16 December 2015 to approximate the laws of Member State relating to trade marks), as well as in Polish national regulations (article 120 of the ustawa – prawo własności przemysłowej of 30 June 2000 Dz. U. no 49 position 508 with changes) make registering a sound trademark not only possible on the base of its graphical representation (musical score or sonogram) but also its recording. On the one hand, it will make registration easier, but on the other, it will signifi cantly change the nature of the subject of registration. Especially, it will concern signs which could be called musical trademarks. Their recording shall be seen as a kind of process in which each step is created by another person: the creator of the work, its performer and fi nally producer. What is the most important, each of them has his/ her own right, i.e. copyright or related right. The article will present the characteristics of musical trademarks, rights to them vested in their “creators” on the basis of Polish law and the relationships between those rights, including some specifi cs of musical trademark both as a trademark and musical work.