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引用次数: 2
摘要
静态悬浮是一种神奇的形式,具有形而上学的含义,其悠久的历史以前没有被绘制出来。首先,老普林尼(Pliny the Elder)报告了一位建筑师计划用磁力悬浮一座铁雕像,后来的编译者安培略斯(Ampelius)提到了叙利亚一个听起来类似的奇迹。当亚历山大的塞拉佩翁神庙被摧毁时,以及之后的许多世纪,编年史家写道,一个铁的太阳神悬挂在里面。在中世纪,这种虚假奇迹的报道成倍增加,出现在穆斯林对基督教和印度教偶像崇拜的描述中,以及基督教对穆罕默德坟墓的描述中。还出现了一个涉及圣徒遗物的基督教悬浮奇迹。然而,磁悬浮本身可以被描述为奇迹,代表着丢失的更高的知识,就像关于科纳克神庙废墟的最新和最东方的传统一样。悬浮纪念碑最早发现于古代,在其漫长而多样的历史中经历了许多文化和认识论的变化。
Suspending Disbelief: Magnetic and Miraculous Levitation from Antiquity to the Middle Ages
Static levitation is a form of marvel with metaphysical implications whose long history has not previously been charted. First, Pliny the Elder reports an architect’s plan to suspend an iron statue using magnetism, and the later compiler Ampelius mentions a similar-sounding wonder in Syria. When the Serapeum at Alexandria was destroyed, and for many centuries afterwards, chroniclers wrote that an iron Helios had hung magnetically inside. In the Middle Ages, reports of such false miracles multiplied, appearing in Muslim accounts of Christian and Hindu idolatry, as well as Christian descriptions of the tomb of Muhammad. A Christian levitation miracle involving saints’ relics also emerged. Yet magnetic suspension could be represented as miraculous in itself, representing lost higher knowledge, as in the latest and easternmost tradition concerning Konark’s ruined temple. The levitating monument, first found in classical antiquity, has undergone many cultural and epistemological changes in its long and varied history.