{"title":"米饭和豆子的食谱","authors":"Mónica B. Ocasio Vega","doi":"10.1525/gfc.2022.22.2.15","DOIUrl":null,"url":null,"abstract":"Rice and beans is considered a staple dish of the Caribbean. This article traces the principles of sabor—a multisensorial image—in the dish of rice and beans in Puerto Rico. I argue that Ana Lydia Vega’s story “Historia de Arroz con Habichuelas” and the recipes for “Arroz Blanco” (White Rice) and “Habichuelas Rosadas Secas” (Dried Pink Beans) in Carmen Aboy Valldejuli’s vernacular cookbook Cocina Criolla set forward a multisensorial image I call sabor and invite us to participate in a sensorial life in the Caribbean. In considering the privileged place of the dish in the Puerto Rican culinary imaginary, I propose an analysis of the writing of and about food made possible through savoring—as an exercise that brings us closer to the particularity of the culinary.","PeriodicalId":89141,"journal":{"name":"Gastronomica : the journal of food and culture","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Recipe for Rice and Beans\",\"authors\":\"Mónica B. Ocasio Vega\",\"doi\":\"10.1525/gfc.2022.22.2.15\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Rice and beans is considered a staple dish of the Caribbean. This article traces the principles of sabor—a multisensorial image—in the dish of rice and beans in Puerto Rico. I argue that Ana Lydia Vega’s story “Historia de Arroz con Habichuelas” and the recipes for “Arroz Blanco” (White Rice) and “Habichuelas Rosadas Secas” (Dried Pink Beans) in Carmen Aboy Valldejuli’s vernacular cookbook Cocina Criolla set forward a multisensorial image I call sabor and invite us to participate in a sensorial life in the Caribbean. In considering the privileged place of the dish in the Puerto Rican culinary imaginary, I propose an analysis of the writing of and about food made possible through savoring—as an exercise that brings us closer to the particularity of the culinary.\",\"PeriodicalId\":89141,\"journal\":{\"name\":\"Gastronomica : the journal of food and culture\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gastronomica : the journal of food and culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/gfc.2022.22.2.15\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gastronomica : the journal of food and culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/gfc.2022.22.2.15","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
米饭和豆子被认为是加勒比地区的主食。这篇文章在波多黎各的米饭和豆子菜中追溯了sabor(一种多感官图像)的原理。我认为,Ana Lydia Vega的故事“Historia de Arroz con Habichuelas”以及Carmen Aboy Valldejuli的本地烹饪书Cocina Criolla中的“Arroz Blanco”(白米饭)和“Habichuelas Rosadas Secas”(干粉豆)的食谱提出了一种我称之为sabor的多感官形象,并邀请我们参与加勒比海的感官生活。考虑到这道菜在波多黎各烹饪想象中的特殊地位,我建议对通过品尝而成为可能的食物的写作和有关食物的分析——作为一种使我们更接近烹饪特殊性的练习。
Rice and beans is considered a staple dish of the Caribbean. This article traces the principles of sabor—a multisensorial image—in the dish of rice and beans in Puerto Rico. I argue that Ana Lydia Vega’s story “Historia de Arroz con Habichuelas” and the recipes for “Arroz Blanco” (White Rice) and “Habichuelas Rosadas Secas” (Dried Pink Beans) in Carmen Aboy Valldejuli’s vernacular cookbook Cocina Criolla set forward a multisensorial image I call sabor and invite us to participate in a sensorial life in the Caribbean. In considering the privileged place of the dish in the Puerto Rican culinary imaginary, I propose an analysis of the writing of and about food made possible through savoring—as an exercise that brings us closer to the particularity of the culinary.