思想是文字和图像的“中间地带”

Jūratė Baranova
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引用次数: 2

摘要

本文提出的问题是:艺术与哲学的相似点在哪里?怎么可能把它们反映为一个创造性的事件呢?为了回答这个问题,首先讨论了哲学与艺术相遇时的逻辑和创造性的冲突,其次是艺术家Rene Magritte和哲学家Michel Foucault发明的文字和图像之间的冲突。它回到了尼采与苏格拉底关于逻辑对创造力的支配地位的经典分歧,并提出了这样一个问题:Gilles Deleuze(1925-1995)和Felix Guattari(1930-1992)在这个讨论中站在哪一边。他们似乎把逻辑与创造力调和起来,说艺术与科学理解既不相关,也不补充,三种伟大的思想形式——艺术、科学和哲学——是三条独立的路线,每一条都是具体的,每一条都是直接的。另一方面,对康德德勒兹的解释注意到想象-理解与理性之间的不协调,并根据安东宁·阿尔托的见解,将新的思想类型视为文字与图像之间的可能领域。
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Thought as a ‘Territory-In-Between’ for Word and Image
This article asks the questions: what are the points of semblance between arts and philosophy? How is it possible to reflect them as one moment of creative event? For answering this question first of all, it discusses the clash between the logic and creativity in meeting of philosophy and arts and secondly – the clash between the word and the image, invented by the artist Rene Magritte and the philosopher Michel Foucault. It returns to the classical disagreement of Nietzsche with Socrates about the dominance of logic over creativity and asks the question: what side is taken by Gilles Deleuze (1925–1995) and Felix Guattari (1930–1992) in this discussion. It seems they reconcile logic with creativity, saying that art is no correlative, no supplement to scientific understanding, that the three great forms of thought – art, science, and philosophy, – are three independent routes, each specific and each as direct as the others. On the other hand, interpreting Kant Deleuze notices the discord between imagination-understanding and reason and following the insights of Antonin Artaud he discerns the new type of a thought as a possible territory-in-between for word and image.
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