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引用次数: 1
摘要
与美国和其他有充分记录的全球爵士乐迭代一样，爵士乐在巴西的存在可以在一个故事的背景下看到，这个故事包括甚至来自当地、地区和国家流行音乐和即兴音乐的趋势。比起以美国为中心的“巴西爵士乐”，这段漫长而复杂的历史似乎需要一个更细致的描述性标签，事实上，更需要一个基于贡献的等价物。本文以保罗·莫拉1968-69年的录音为例，探讨了音乐风格和语言的传播、挪用、发明和流通。在George E. Lewis和David Ake的工作之后，正在考虑确定和确定一套特定的巴西方法来实现这一进程的可能性。
Paulo Moura’s Hepteto and Quarteto: ‘Sambajazz’ as ‘Brazilogical popular instrumental improvised music’
As with American and other well-documented global jazz iterations, the presence of jazz in Brazil may be seen in the context of a story that includes or even initiates from local, regional and national trends in popular and improvised music. This long and complex history seems to require a descriptive label that is more nuanced, and in fact, more based on an equivalency of contribution than the Americo-centric ‘Brazilian jazz’. Through a case study of Paulo Moura’s recordings of 1968–69, this article considers the transmission, appropriation, invention and circulation of musical style and language. Following the work of George E. Lewis and David Ake, the possibility of identifying and defining a particular Brazilian set of approaches to this process is contemplated.
期刊介绍：
Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.
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