陀思妥耶夫斯基《卡拉马佐夫兄弟》:一集评论的两个附录(霍克拉科娃和德米特里·卡拉马佐夫)

IF 0.2 0 LANGUAGE & LINGUISTICS Sibirskii Filologicheskii Zhurnal Pub Date : 2023-01-01 DOI:10.17223/18137083/83/6
T. Pecherskaya
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引用次数: 0

摘要

本文详细分析了陀思妥耶夫斯基《卡拉马佐夫兄弟》中《金矿》一章中的插曲。本书的重点是对Saltykov-Shchedrin的这一事件进行辩论的标志,以及他的叙事技巧的细节。首先,回顾了研究者对19世纪60年代起的论战背景的研究方法,提出了扩大事件脉络的必要性,并引入了新的额外叙事信息,以完善画面,深化对事件的解释。戏仿被认为是辩论的主要模式,而Khokhlakova夫人是它的“代理人”,她的荒谬陈述为“超越”文本的辩论参考提供了传递渠道。屠格涅夫也有类似的功能,在女主人公推理的语境中,他的模仿功能在语义上接近萨尔蒂科夫。其次,在Khokhlakova“祝福Dmitry Karamazov的西伯利亚之行”这一微片段的框架内分析了这一集的叙事技巧。书中对细节进行了阐释,让人看到了小说《罪与罚》(Crime and Punishment)的影射,暗示了其他几对人物:拉斯柯尔尼科夫和放债人,拉斯柯尔尼科夫和索尼娅。在多向投射中结合和“分裂”情节情境的技术被考虑(喜剧和戏剧),这隐含地引入了犯罪的多维情节,这在作家的作品中是普遍的。情节自动戏仿被认为是触发情节加倍机制的一种技术。
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“The Brothers Karamazov” by F. M. Dostoevsky: two addendums to one episode commentary (Khokhlakova and Dmitry Karamazov)
This paper analyzes in detail the episode in the chapter “Gold Minesˮ of “The Brothers Karamazovˮ by F. M. Dostoevsky. The focus is on the markers of the polemically addressing the episode to Saltykov-Shchedrin and the specifics of his narrative technique. Firstly, the methods of researchers to the background of the polemic originating in the 1860s are reviewed, the necessity of expanding the context of the episode is motivated, and new extra narrative information is introduced completing the picture and deepening the episode's interpretation. Parody has been found to be the leading mode of polemic, with Mrs. Khokhlakova as its “agent,” the absurdity of her statements providing a channel for the transmission of the polemical reference “over and above” the text. A similar function is given to Turgenev, who is semantically close to Saltykov in his parody function in context of the heroine’s reasoning. Secondly, the narrative technique of the episode is analyzed within the framework of a micro-fragment in which Khokhlakova “blessesˮ Dmitry Karamazov for his trip to Siberia. The details are explicated, allowing the allusions to the novel “Crime and Punishment” to be seen, suggesting other pairs of characters: Raskolnikov and the money-lender, Raskolnikov and Sonya. The technique of combining and “splitting” the plot situations in multidirectional projections is considered (comic and dramatic), which implicitly introduces a multidimensional plot of the crime, universal in the work of the writer. The plot auto-parody is considered as a technique triggering the plot-doubling mechanism.
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Sibirskii Filologicheskii Zhurnal
Sibirskii Filologicheskii Zhurnal LANGUAGE & LINGUISTICS-
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