{"title":"北印度农村口述传统中对男子气概的普遍看法","authors":"P. Chowdhry","doi":"10.18874/AE.74.1.02","DOIUrl":null,"url":null,"abstract":"In the oral tradition of rural north India, especially the Haryana region, hegemonic masculinity emerges as an ideological construct in the structure of patriarchy firmly located in materiality. This creates and consolidates male power over various categories of people and highlights several hierarchies of masculinities, caste, class, and gender, including those between males and females as well as those between males and males. The oral tradition, which includes folktales, myths, folk songs, popular sayings, and proverbs, enjoys a common currency of social interaction among a wide range of social groups. Together these have been evaluated to provide valuable insights into how masculinities are perceived, lived, or practiced at the local level, and molded or remolded in response to the socioeconomic shifts that are taking place. However, in this region there is also a contrary imaging of masculinity that demolishes all that is regarded as the hallmark of hegemonic masculinity. Registered in women’s folk songs, this imaging is considered a threat to male power, authority, and what is perceived to be “masculine.” All attempts by upper caste males to censor these songs or replace them have been unsuccessful, thereby highlighting the ongoing contradiction and contest around the concept of masculinity itself.","PeriodicalId":53972,"journal":{"name":"Asian Ethnology","volume":"74 1","pages":"5-36"},"PeriodicalIF":0.6000,"publicationDate":"2015-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"14","resultStr":"{\"title\":\"Popular Perceptions of Masculinity in Rural North Indian Oral Traditions\",\"authors\":\"P. Chowdhry\",\"doi\":\"10.18874/AE.74.1.02\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the oral tradition of rural north India, especially the Haryana region, hegemonic masculinity emerges as an ideological construct in the structure of patriarchy firmly located in materiality. This creates and consolidates male power over various categories of people and highlights several hierarchies of masculinities, caste, class, and gender, including those between males and females as well as those between males and males. The oral tradition, which includes folktales, myths, folk songs, popular sayings, and proverbs, enjoys a common currency of social interaction among a wide range of social groups. Together these have been evaluated to provide valuable insights into how masculinities are perceived, lived, or practiced at the local level, and molded or remolded in response to the socioeconomic shifts that are taking place. However, in this region there is also a contrary imaging of masculinity that demolishes all that is regarded as the hallmark of hegemonic masculinity. Registered in women’s folk songs, this imaging is considered a threat to male power, authority, and what is perceived to be “masculine.” All attempts by upper caste males to censor these songs or replace them have been unsuccessful, thereby highlighting the ongoing contradiction and contest around the concept of masculinity itself.\",\"PeriodicalId\":53972,\"journal\":{\"name\":\"Asian Ethnology\",\"volume\":\"74 1\",\"pages\":\"5-36\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2015-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"14\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian Ethnology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18874/AE.74.1.02\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Ethnology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18874/AE.74.1.02","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Popular Perceptions of Masculinity in Rural North Indian Oral Traditions
In the oral tradition of rural north India, especially the Haryana region, hegemonic masculinity emerges as an ideological construct in the structure of patriarchy firmly located in materiality. This creates and consolidates male power over various categories of people and highlights several hierarchies of masculinities, caste, class, and gender, including those between males and females as well as those between males and males. The oral tradition, which includes folktales, myths, folk songs, popular sayings, and proverbs, enjoys a common currency of social interaction among a wide range of social groups. Together these have been evaluated to provide valuable insights into how masculinities are perceived, lived, or practiced at the local level, and molded or remolded in response to the socioeconomic shifts that are taking place. However, in this region there is also a contrary imaging of masculinity that demolishes all that is regarded as the hallmark of hegemonic masculinity. Registered in women’s folk songs, this imaging is considered a threat to male power, authority, and what is perceived to be “masculine.” All attempts by upper caste males to censor these songs or replace them have been unsuccessful, thereby highlighting the ongoing contradiction and contest around the concept of masculinity itself.
期刊介绍:
Asian Ethnology (ISSN 1882–6865) is a double-blind peer-reviewed journal registered as an Open Access Journal with all the contents freely downloadable. Please read the information on our open access and copyright policies. A list of monographs that were published under the journal''s former names, Folklore Studies and Asian Folklore Studies, appear here. Asian Ethnology is dedicated to the promotion of scholarly research on the peoples and cultures of Asia. It began in China as Folklore Studies in 1942 and later moved to Japan where its name was changed to Asian Folklore Studies. It is edited and published at Nanzan University in Nagoya, Japan, with the cooperation of Boston University. Asian Ethnology seeks to deepen understanding and further the pursuit of knowledge about the peoples and cultures of Asia. We wish to facilitate intellectual exchange between Asia and the rest of the world, and particularly welcome submissions from scholars based in Asia. The journal presents formal essays and analyses, research reports, and critical book reviews relating to a wide range of topical categories, including: -narratives, performances, and other forms of cultural representation -popular religious concepts -vernacular approaches to health and healing -local ecological/environmental knowledge -collective memory and uses of the past -cultural transformations in diaspora -transnational flows -material culture -museology -visual culture