荷兰福音派诗篇选集文本中赞美的实用策略

IF 0.1 0 CLASSICS Philologia Classica Pub Date : 2022-01-01 DOI:10.21638/11701/spbu21.2022.101
M. Dmitrieva
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引用次数: 0

摘要

本文的目的是找出在1806年出版的荷兰福音派诗篇选集的文本材料中实施赞美上帝的言语宏观策略的方法。本文主要有三个部分。首先,本文分析了《诗集序》散文文本中赞美的交际意图是如何表现出来的。在这里,战略是以第三人称制定的;它的实施在文本的开头和最后的位置最清楚地观察到,因为它是最具交际负荷的。其次,我们考虑在诗篇的诗歌文本中,一个给定的策略是如何实现的。从这个角度来看,赞美上帝的伟大是最重要的交流任务;它使用以下语言手段和文体技巧直接代表所有信徒:修辞感叹词和对上帝的呼吁,修辞问题,适当语义和语用潜力的词汇手段。第三,论述了诗篇文本与唱腔音乐编排相互作用的基本原则。分析认为,在和声和旋律绘制的帮助下,诗歌文本的格言和模式内容得到了巧妙的强调,格律和韵律的内在潜力得到了更充分的揭示。总的来说,赞美的宏观策略具有主导意义,表现在言语和音乐语言的污染等多个方面。
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The pragmatic strategy of praise in the texts of the collection of Dutch evangelical psalms
The purpose of the paper is to identify ways to implement the speech macro strategy of praise to God for text material of the collection of Dutch evangelical psalms published in 1806. This article has three main parts. First, the article analyzes how the communicative intention of praise manifests itself in the prose text of the Preface to the Collection. Here the strategy is formulated in the third person; its implementation is most clearly observed in the initial and final positions of the text as the most communicatively loaded. Second, we consider ways in which a given strategy is implemented in the poetic texts of the psalms. In this perspective, the communicative task of glorifying the greatness of God is of the utmost importance; it is formulated directly on behalf of all believers using the following linguistic means and stylistic techniques: rhetorical exclamations and appeals to the Lord, rhetorical questions, lexical means of appropriate semantics and pragmatic potential. Third, the basic principles of interaction between the text of the psalms and the musical arrangement for the voice are discussed. The analysis allows us to conclude that with the help of harmonies and melodic drawing, the dictum and modus content of the poetic text is masterfully emphasized, the inner potential of meter and rhyme is more fully revealed. In general, the macro-strategy of praise has a dominant meaning and manifests itself in many aspects in the contamination of verbal and musical language.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
15
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