圣徒阿德里安和纳塔莉亚的罗马式棺材(芝加哥艺术学院):文化背景和艺术分析

IF 0.1 4区 历史学 Q3 HISTORY Imago Temporis-Medium Aevum Pub Date : 2018-01-01 DOI:10.21001/ITMA.2018.12.05
José Alberto Moráis Morán
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引用次数: 0

摘要

对来自芝加哥心脏艺术学院的圣徒阿德里安和纳塔莉亚的棺材进行了专题研究。罗马式艺术的史学已经忘记了这件作品,但是它被研究了,分析了两位东方圣徒的生命周期,检查了它的技术方面以及它的铭文。所有这些都被保存在研究范围内,其崇拜起源在拜占庭,他们的文物转移到罗马,并在9世纪和10世纪,它在古老的阿斯图尔-莱昂王国传播。最后,我们研究了关于殉道者受难的画像,并与圣伊西多罗莱昂的银匠作品进行了比较。
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The Romanesque Casket of Saints Adrian and Natalia (The Art Institute of Chicago): Cultural Context and Artistic Analysis
A monographic study of the caskets of Saints Adrian and Natalia from TheArt Institute of Chicago was carried out. Historiography of Romanesque art hasforgotten this piece, but it was studied analyzing the life cycle of both Eastern Saints,examining its technical aspects as well as its epigraphs.All is kept in the study limits of the origin of its worship in Byzantium, thetransfer of their relics to Rome and during the 9th and 10th centuries, its spread in theold Astur-Leonese Kingdom. Finally, we studied the iconography in relation to thePassio written about the martyr and a comparison is carried out with the silversmithworks in San Isidoro de Leon.
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