{"title":"圣特里丰在科托尔的圣髑盒。对肖像学研究的贡献","authors":"V. Zivkovic","doi":"10.2298/zog1943185z","DOIUrl":null,"url":null,"abstract":"The paper analyses late Gothic and early Renaissance imagery on the reliquary casket of Saint Tryphon kept in the Kotor Cathedral. The iconography of the torture and death scenes of the young martyr Tryphon, as well the representation of the architecture on the model of the town of Kotor in the hand of Saint Tryphon opens up the possibility of interpreting this reliquary in a historical context. The paper proposes an interpretation of the iconography of the scenes on the reliquary casket as part of the constructed memory of the Ottoman siege of Kotor under the command of kapudan pacha Hayreddin Barbarossa (1539) and the Venetian defense of the town. A similar way of creating memories through juxtaposing images of Turks, members of the Holy League and Kotor?s devotees under the protection of Saint Tryphon has been recorded in poetry, chronicles, and epistles.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Saint Tryphon’s reliquary casket in Kotor. A contribution to the study of the iconography\",\"authors\":\"V. Zivkovic\",\"doi\":\"10.2298/zog1943185z\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper analyses late Gothic and early Renaissance imagery on the reliquary casket of Saint Tryphon kept in the Kotor Cathedral. The iconography of the torture and death scenes of the young martyr Tryphon, as well the representation of the architecture on the model of the town of Kotor in the hand of Saint Tryphon opens up the possibility of interpreting this reliquary in a historical context. The paper proposes an interpretation of the iconography of the scenes on the reliquary casket as part of the constructed memory of the Ottoman siege of Kotor under the command of kapudan pacha Hayreddin Barbarossa (1539) and the Venetian defense of the town. A similar way of creating memories through juxtaposing images of Turks, members of the Holy League and Kotor?s devotees under the protection of Saint Tryphon has been recorded in poetry, chronicles, and epistles.\",\"PeriodicalId\":56170,\"journal\":{\"name\":\"Zograf\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zograf\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/zog1943185z\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zograf","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/zog1943185z","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
本文分析了科托尔大教堂保存的圣特里丰圣物匣上的哥特晚期和文艺复兴早期的意象。年轻殉道者特里丰的折磨和死亡场景的肖像,以及圣特里丰手中的科托尔镇模型上的建筑代表,开辟了在历史背景下解释这个圣髑盒的可能性。本文提出了一种对圣物箱上场景的图像学的解释,作为在kapudan pacha Hayreddin Barbarossa(1539年)指挥下的奥斯曼围攻科托尔(Kotor)和威尼斯人对该镇的防御的构建记忆的一部分。通过将土耳其人、神圣联盟成员和科托尔?在诗歌、编年史和书信中都记载了圣特里丰保护下的信徒。
Saint Tryphon’s reliquary casket in Kotor. A contribution to the study of the iconography
The paper analyses late Gothic and early Renaissance imagery on the reliquary casket of Saint Tryphon kept in the Kotor Cathedral. The iconography of the torture and death scenes of the young martyr Tryphon, as well the representation of the architecture on the model of the town of Kotor in the hand of Saint Tryphon opens up the possibility of interpreting this reliquary in a historical context. The paper proposes an interpretation of the iconography of the scenes on the reliquary casket as part of the constructed memory of the Ottoman siege of Kotor under the command of kapudan pacha Hayreddin Barbarossa (1539) and the Venetian defense of the town. A similar way of creating memories through juxtaposing images of Turks, members of the Holy League and Kotor?s devotees under the protection of Saint Tryphon has been recorded in poetry, chronicles, and epistles.