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引用次数: 0
摘要
地方政府采用新自由主义理论和战略规划,促进在城市管理中使用竞争力尺度和商业营销标准,在城市中产生了一系列变化,旨在扭转工厂和商店的关闭,吸引新的企业,居民和游客。在这种背景下,电影院成为了一个媒体平台,主要通过电影委员会的行动来宣传这座城市作为旅游目的地和创新创意场景的形象。本文分析了电影与波尔图城市之间的关系,从第一部电影的情节到由巴西出生的电影制片人加布·克林格(Gabe Klinger)在当地电影委员会共同投资的电影《波尔图》。该研究对比了当地导演Manoel de Oliveira在他的作品中对波尔图城市的投影方式,以及对Gabe Klinger电影的客观定性分析。在结论中,我们可以提到电影如何随着时间的推移呈现现代城市的功能变化,以及投影图像必须与被拍摄城市的场所感有明确的关系。
Cinema and city placement of Porto: from Manoel de Oliveira to Gabe Klinger
The adoption by local governments of neoliberal theories and strategic planning, which promotes the use of competitiveness scales and business marketing criteria in urban management, generated a series of changes in cities with the aim of reversing the closure of factories and shops and attracting new businesses, residents and tourists. In this context, the cinema became a media platform to project the image that wanted to promote of the city as a tourist destination and an innovative and creative scene, mainly through the action of the Film Commissions. This article analyses the relationship between cinema and the city of Porto, from the first film episodes to the co-financing by the local Film Commission of the film Porto, by Brazilian-born filmmaker Gabe Klinger. The study contrasts the way in which local director Manoel de Oliveira projected the city of Porto in his works, with the objective and qualitative analysis of Gabe Klinger’s film. Among the conclusions, we can mention how the cinema shows over time the functional changes of the modern city and that the projected image must have a clear relationship with the sense of place of the filmed city.
期刊介绍:
El Boletín de la Asociación de Geógrafos Españoles está abierto a todas las personas interesadas en la ciencia geográfica y, en especial, a los miembros de la Asociación editora. El Consejo de Redacción selecciona los trabajos en atención a su calidad y condición de originales y cuenta para ello con la colaboración de especialistas de las distintas ramas de la Geografía, quienes, de forma anónima, deciden sobre la conveniencia o no de su publicación o, en su caso, las modificaciones que el autor debe incluir en el trabajo.