朱塞佩·米歇尔·斯特拉斯科的音乐论著:理论与实践之间:版本与评注

IF 0.1 3区艺术学 0 MUSIC Arti Musices Pub Date : 2018-01-01 DOI:10.21857/YRVGQTK659

Lucija Konfic

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摘要

朱塞佩·米歇尔·斯特拉科(1728年7月31日生于扎达尔，1783年1月31日生于桑吉内特)，塔尔蒂尼的小提琴和作曲学生，也研究音乐理论。他在Tartini的学校里就已经开始形成他在这方面的思想，受到他的老师的影响，也受到18世纪帕多瓦音乐环境的另一个重要人物Francescantonio Vallott i的影响，后来导致了他自己在这一主题上的想法的发展。在音乐理论领域，斯特拉斯科写了三篇论文，全部以手稿的形式保存在威尼斯的马尔恰纳图书馆(Biblioteca Marciana)。Cl。Iv, 341 [=5294]， 342 [=5347]， 343 [=5348]):

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Giuseppe Michele Stratico’s treatises on music between theory and practice: Edition and commentary

Giuseppe Michele Stratico (Zadar, July 31st, 1728 – Sanguinett o, January 31st, 1783), Tartini’s student in violin and composition, dealt also with music theory. He started to form his thought in this area already within Tartini’s school, infl uenced by his teacher but also by Francescantonio Vallott i, another important fi gure of the 18th-century Paduan musical milieu, which afterwards resulted in the development of his own ideas on the subject. In the area of music theory Stratico wrote three treatises, all preserved as manuscripts in Biblioteca Marciana in Venice (Ms. It. Cl. IV, 341 [=5294], 342 [=5347], 343 [=5348]):

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Arti Musices MUSIC-

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6 weeks