{"title":"Osnutak Zagrebačke filharmonije 1920. godine, njezini prapočetci i prve godine rada","authors":"Domagoj Marić","doi":"10.21857/y26kecle39","DOIUrl":"https://doi.org/10.21857/y26kecle39","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68487437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Beginnings of Research in Ethnomusicology and Historical Musicology in Kosovo: Background, Research and Main Publications","authors":"Kristina Perkola","doi":"10.21857/yrvgqtwv09","DOIUrl":"https://doi.org/10.21857/yrvgqtwv09","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68494725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Znanstvena historiografija i licentia poetica: odnos povijesnog i fikcionalnog narativa u libretu opere Nikola Šubić Zrinjski Ivana Zajca","authors":"Petra Babić","doi":"10.21857/y54jofv84m","DOIUrl":"https://doi.org/10.21857/y54jofv84m","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68488206","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Doprinos obitelji Venucci razvoju riječke glazbene kulture u 20. stoljeću","authors":"Daniela Perković","doi":"10.21857/mnlqgcrgry","DOIUrl":"https://doi.org/10.21857/mnlqgcrgry","url":null,"abstract":"","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68484804","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article presents the Croatian Music Alphabetarium of Croatian Radio, one of the numerous music broadcasts of Croatian Radio's Third Program (HR3), the only specialized public radio station for culture in Croatia, as a case study of a (seemingly successful) attempt to make scholarly musicological texts (in the form of radio speech) more accessible. The results of Croatian radio market research published in 2015 speak in favour of the possibility of making scientific musicological texts more accessible to the general public with the help of radio. These results were compared and supplemented with the results of the German survey from 2006, which clarify the expectations of German classical music listeners, and thus helps us understand the Croatian classical music listeners' expectations, which have not been researched in our country so far. The Croatian research also reveals that Croatian listeners are willing to listen to a speech for up to half an hour if they are interested in the topic, what encourages us to present and argue for the publication of scholarly musicological texts on the radio. Furthermore, the Croatian research reveals that our case study broadcast deals with two out of the fourteen most interesting topics for the Croatian listeners - cultural heritage and contemporary culture. The Croatian musicologists who studied musicology and music journalism are well media educated, and thus willing to publish their texts not only in professional and scientific journals but also on HR3. In order for that to happen the HR3 editors, who are accomplished musicologists and journalists, have to demonstrate their willingness as well as their superiors to broadcast scholarly musicological texts. Since the foundation of the Croatian Radio Third program (in 1964) and the Department of Musicology in Zagreb (in 1970), named Department of Musicology and Music Journalism in the period between 1977 and 1994, these conditions had been met until the outbreak of the COVID-19 pandemic. During that period (1964-2020) HR3 regularly broadcasted scholarly musicological texts, and in the last eight years HR3 has produced as many as two weekly broadcasts and two monthly broadcasts with scholarly musicological texts. The pandemic has given rise to the negative trend of reducing speech in classical music broadcasts, but hopefully not for long.
{"title":"HOW CAN MUSICOLOGY BE MADE MORE ACCESSIBLE WITH THE HELP OF RADIO? A Comparison of the Listening Habits of German and Croatian Classical Music Radio Listeners Case Study: The Broadcast Croatian Music Alphabetarium of Croatian Radio","authors":"Tatjana Čunko","doi":"10.21857/ypn4oc1xd9","DOIUrl":"https://doi.org/10.21857/ypn4oc1xd9","url":null,"abstract":"This article presents the Croatian Music Alphabetarium of Croatian Radio, one of the numerous music broadcasts of Croatian Radio's Third Program (HR3), the only specialized public radio station for culture in Croatia, as a case study of a (seemingly successful) attempt to make scholarly musicological texts (in the form of radio speech) more accessible. The results of Croatian radio market research published in 2015 speak in favour of the possibility of making scientific musicological texts more accessible to the general public with the help of radio. These results were compared and supplemented with the results of the German survey from 2006, which clarify the expectations of German classical music listeners, and thus helps us understand the Croatian classical music listeners' expectations, which have not been researched in our country so far. The Croatian research also reveals that Croatian listeners are willing to listen to a speech for up to half an hour if they are interested in the topic, what encourages us to present and argue for the publication of scholarly musicological texts on the radio. Furthermore, the Croatian research reveals that our case study broadcast deals with two out of the fourteen most interesting topics for the Croatian listeners - cultural heritage and contemporary culture. The Croatian musicologists who studied musicology and music journalism are well media educated, and thus willing to publish their texts not only in professional and scientific journals but also on HR3. In order for that to happen the HR3 editors, who are accomplished musicologists and journalists, have to demonstrate their willingness as well as their superiors to broadcast scholarly musicological texts. Since the foundation of the Croatian Radio Third program (in 1964) and the Department of Musicology in Zagreb (in 1970), named Department of Musicology and Music Journalism in the period between 1977 and 1994, these conditions had been met until the outbreak of the COVID-19 pandemic. During that period (1964-2020) HR3 regularly broadcasted scholarly musicological texts, and in the last eight years HR3 has produced as many as two weekly broadcasts and two monthly broadcasts with scholarly musicological texts. The pandemic has given rise to the negative trend of reducing speech in classical music broadcasts, but hopefully not for long.","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68492805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The doctoral dissertation entitled The Elements of Traditional Slavonian Music in the Pieces of 20th-Century Art Music Composers aims to scientifi cally research the presence of Slavonian melos in 20th-century art music. The role and presence of Slavonian traditional music in art music is almost completely unknown, even unfairly neglected. In some papers and analyses the infl uence of Slavonian melos on certain composers’ works is mentioned (Kovačević, Tomašek), however, the authors do not delve deeper into the issues themselves, and there are no detailed scientifi c studies on these issues. Therefore, this dissertation tries to comprehensively and thoroughly deal with the issue of the presence and importance of Slavonian traditional music in art music. The dissertation research area is 20th-century art music in which we fi nd the infl uence of the traditional musical heritage of Slavonia. Specifi c objectives have also emerged from the research area: 1. to research the tonal material and select and present examples with particular relevance to the topic of the dissertation;
{"title":"The Elements of Traditional Slavonian Music in the Pieces of 20th-Century Art Music Composers","authors":"Zdravko Drenjančević","doi":"10.21857/yvjrdcledy","DOIUrl":"https://doi.org/10.21857/yvjrdcledy","url":null,"abstract":"The doctoral dissertation entitled The Elements of Traditional Slavonian Music in the Pieces of 20th-Century Art Music Composers aims to scientifi cally research the presence of Slavonian melos in 20th-century art music. The role and presence of Slavonian traditional music in art music is almost completely unknown, even unfairly neglected. In some papers and analyses the infl uence of Slavonian melos on certain composers’ works is mentioned (Kovačević, Tomašek), however, the authors do not delve deeper into the issues themselves, and there are no detailed scientifi c studies on these issues. Therefore, this dissertation tries to comprehensively and thoroughly deal with the issue of the presence and importance of Slavonian traditional music in art music. The dissertation research area is 20th-century art music in which we fi nd the infl uence of the traditional musical heritage of Slavonia. Specifi c objectives have also emerged from the research area: 1. to research the tonal material and select and present examples with particular relevance to the topic of the dissertation;","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68495033","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Slovenian bass Julij Bete tt o (1885–1963) undoubtedly left a deep mark on Croatian opera and concert performance in the fi rst half of the 20th century. A cosmopolitan, but a patriot by heart, he interpreted around 175 roles in 140 operas and participated in more than 173 concerts. In total, he gave more than 3241 perfor- mances, from which more than 60 took place on Croatian opera and concert stages. The arti- cle deals with his important contribution in the artistic fi eld as well as indirectly in the peda- gogical fi eld – many of his students successfully enriched the 20th-century Croatian operatic scene with their roles. The article looks at a se-lection of Bete tt o’s opera and concert performances in Croatia and their critical responses, pointing out also some of his Slovenian students who famously characterized the Croatian opera scene in the 20th century, including bass and tenors and .
{"title":"Performances of Slovenian Bass Julij Betett o (1885-1963) in Croatia","authors":"Tina Bohak Adam","doi":"10.21857/y26kec47v9","DOIUrl":"https://doi.org/10.21857/y26kec47v9","url":null,"abstract":"Slovenian bass Julij Bete tt o (1885–1963) undoubtedly left a deep mark on Croatian opera and concert performance in the fi rst half of the 20th century. A cosmopolitan, but a patriot by heart, he interpreted around 175 roles in 140 operas and participated in more than 173 concerts. In total, he gave more than 3241 perfor- mances, from which more than 60 took place on Croatian opera and concert stages. The arti- cle deals with his important contribution in the artistic fi eld as well as indirectly in the peda- gogical fi eld – many of his students successfully enriched the 20th-century Croatian operatic scene with their roles. The article looks at a se-lection of Bete tt o’s opera and concert performances in Croatia and their critical responses, pointing out also some of his Slovenian students who famously characterized the Croatian opera scene in the 20th century, including bass and tenors and .","PeriodicalId":40716,"journal":{"name":"Arti Musices","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68486958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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