{"title":"存在主义、本体论和神秘主义——克拉丽斯·利斯佩克特的《世界的幻梦》","authors":"Luiza Lobo","doi":"10.21471/jls.v4i2.335","DOIUrl":null,"url":null,"abstract":"This article aims to place Clarice Lispector as the inventor of a new type of newspaper chronicle. The style of her 468 chronicles published weekly in Jornal do Brasil, from 1967 to 1973, and collected in the book A descoberta do mundo (1984), differs from that of her contemporary male chroniclers, such as Rubem Braga, Paulo Mendes Campos, Fernando Sabino, and Otto Lara Resende, or even women chroniclers, such as Rachel de Queiroz and Dinah Silveira de Queiroz. Mingling Sartre’s existentialism and Heidegger’s phenomenology with the Jewish mysticism learned as a child enabled Lispector to write in a style that pioneered modern women’s prose fiction in Brazil after 1970. This article argues that fragmentation and hybridization are the marks of her “discovery” of a new world as a woman writer, making her crônicas predecessors of today’s women’s blogs.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":"4 1","pages":"56-74"},"PeriodicalIF":0.1000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Existentialism, Ontology, and Mysticism in Clarice Lispector’s A descoberta do mundo\",\"authors\":\"Luiza Lobo\",\"doi\":\"10.21471/jls.v4i2.335\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article aims to place Clarice Lispector as the inventor of a new type of newspaper chronicle. The style of her 468 chronicles published weekly in Jornal do Brasil, from 1967 to 1973, and collected in the book A descoberta do mundo (1984), differs from that of her contemporary male chroniclers, such as Rubem Braga, Paulo Mendes Campos, Fernando Sabino, and Otto Lara Resende, or even women chroniclers, such as Rachel de Queiroz and Dinah Silveira de Queiroz. Mingling Sartre’s existentialism and Heidegger’s phenomenology with the Jewish mysticism learned as a child enabled Lispector to write in a style that pioneered modern women’s prose fiction in Brazil after 1970. This article argues that fragmentation and hybridization are the marks of her “discovery” of a new world as a woman writer, making her crônicas predecessors of today’s women’s blogs.\",\"PeriodicalId\":52257,\"journal\":{\"name\":\"Journal of Lusophone Studies\",\"volume\":\"4 1\",\"pages\":\"56-74\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Lusophone Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21471/jls.v4i2.335\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Lusophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21471/jls.v4i2.335","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 1
摘要
这篇文章的目的是把克拉丽斯·利斯佩克特作为一种新型报纸编年史的发明者。从1967年到1973年,她的468篇编年史每周发表在《巴西杂志》上,并收录在《世界的生活》(1984年)一书中。这些编年史的风格不同于同时代的男性编年史作者,如Rubem Braga、Paulo Mendes Campos、Fernando Sabino和Otto Lara Resende,甚至不同于女性编年史作者,如Rachel de Queiroz和Dinah Silveira de Queiroz。将萨特的存在主义和海德格尔的现象学与小时候学到的犹太神秘主义相结合,使利斯佩克特的写作风格成为1970年后巴西现代女性散文小说的先驱。本文认为,碎片化和杂化是她作为女作家“发现”新世界的标志,使她的crônicas成为当今女性博客的先驱。
Existentialism, Ontology, and Mysticism in Clarice Lispector’s A descoberta do mundo
This article aims to place Clarice Lispector as the inventor of a new type of newspaper chronicle. The style of her 468 chronicles published weekly in Jornal do Brasil, from 1967 to 1973, and collected in the book A descoberta do mundo (1984), differs from that of her contemporary male chroniclers, such as Rubem Braga, Paulo Mendes Campos, Fernando Sabino, and Otto Lara Resende, or even women chroniclers, such as Rachel de Queiroz and Dinah Silveira de Queiroz. Mingling Sartre’s existentialism and Heidegger’s phenomenology with the Jewish mysticism learned as a child enabled Lispector to write in a style that pioneered modern women’s prose fiction in Brazil after 1970. This article argues that fragmentation and hybridization are the marks of her “discovery” of a new world as a woman writer, making her crônicas predecessors of today’s women’s blogs.