{"title":"古罗马人在San岩石艺术","authors":"P. Jolly","doi":"10.2307/3888859","DOIUrl":null,"url":null,"abstract":"San paintings of therianthropes, beings that combine human and non-human features, are described and analysed in order to formulate a theory concerning the meaning of these paintings for the people who made and viewed them. The range of therianthrope paintings is described Four explanations, or theories, concerning the therianthropes are discussed and evaluated in relation to San religious rites and beliefs and the physical forms taken by therianthropes in the art. These explanations or theories focus respectively on animal-masked/costumed shamans, shamans transformed into animals or other creatures while in altered states, the spirits of dead shamans and the human-animal beings of San myths. Physical as well as deeper, structural, conceptual correspondences between these classes of beings in San religious thought indicate that they are all related and relevant to the way in which we should interpret the therianthropes. The kingdoms are artificial constructions designed by human beings in an effort to cope with the tremendous diversity of the living world. They are not rules of nature. (Keeton 1972: 703)","PeriodicalId":46844,"journal":{"name":"SOUTH AFRICAN ARCHAEOLOGICAL BULLETIN","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2002-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/3888859","citationCount":"54","resultStr":"{\"title\":\"Therianthropes in San rock art\",\"authors\":\"P. Jolly\",\"doi\":\"10.2307/3888859\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"San paintings of therianthropes, beings that combine human and non-human features, are described and analysed in order to formulate a theory concerning the meaning of these paintings for the people who made and viewed them. The range of therianthrope paintings is described Four explanations, or theories, concerning the therianthropes are discussed and evaluated in relation to San religious rites and beliefs and the physical forms taken by therianthropes in the art. These explanations or theories focus respectively on animal-masked/costumed shamans, shamans transformed into animals or other creatures while in altered states, the spirits of dead shamans and the human-animal beings of San myths. Physical as well as deeper, structural, conceptual correspondences between these classes of beings in San religious thought indicate that they are all related and relevant to the way in which we should interpret the therianthropes. The kingdoms are artificial constructions designed by human beings in an effort to cope with the tremendous diversity of the living world. They are not rules of nature. (Keeton 1972: 703)\",\"PeriodicalId\":46844,\"journal\":{\"name\":\"SOUTH AFRICAN ARCHAEOLOGICAL BULLETIN\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2002-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/3888859\",\"citationCount\":\"54\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOUTH AFRICAN ARCHAEOLOGICAL BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/3888859\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOUTH AFRICAN ARCHAEOLOGICAL BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/3888859","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
San paintings of therianthropes, beings that combine human and non-human features, are described and analysed in order to formulate a theory concerning the meaning of these paintings for the people who made and viewed them. The range of therianthrope paintings is described Four explanations, or theories, concerning the therianthropes are discussed and evaluated in relation to San religious rites and beliefs and the physical forms taken by therianthropes in the art. These explanations or theories focus respectively on animal-masked/costumed shamans, shamans transformed into animals or other creatures while in altered states, the spirits of dead shamans and the human-animal beings of San myths. Physical as well as deeper, structural, conceptual correspondences between these classes of beings in San religious thought indicate that they are all related and relevant to the way in which we should interpret the therianthropes. The kingdoms are artificial constructions designed by human beings in an effort to cope with the tremendous diversity of the living world. They are not rules of nature. (Keeton 1972: 703)
期刊介绍:
The South African Archaeological Bulletin - the longest established archaeological journal in sub-Saharan Africa, it contains the cutting edge of research on southern Africa. Appearing twice a year, it includes current research, notes by readers and book reviews.