{"title":"Knut Hamsun在西伯利亚报道","authors":"E. Kapinos, I. Loshchilov","doi":"10.25205/2307-1737-2020-2-315-336","DOIUrl":null,"url":null,"abstract":"The article is devoted to various forms of Hamsun’s influence on Siberian writers of the 1910–1930s. On the pages of Siberian periodicals, the Norwegian writer was often mentioned in theatrical chronicle, in the lists of European book novelties, in poetic texts, but he influenced most clearly the general northern flavour of the Siberian prose. Fifteen stories and short novellas of famous Siberian writers (Georgy Grebenshchikov, Isaak Goldberg, Anton Sorokin, Georgy Vyatkin) and almost forgotten writers (Stepan Isakov, Arseny Zhilyakov, Maximilian Kravkov) form the “Siberian Hamsuniana”, the distinctive features of which are “anti-urbanism”, “ethnography”, folklorism, northern landscapes and scenes of folk life. When studying the texts that became the subject of description in this article, the materials from an archive of the Siberian literature historian and critic N. N. Yanovsky were used, who collected and printed a book of short stories by S. Isakov and A. Zhilyakov in the mid-1980s with an introductory article, which sets out biographies of forgotten writers. In the introductory article to this book, it is mentioned that literary comrades called Stepan Isakov half-jokingly to be the “Siberian Hamsun”. When analyzing the Siberian prose on Hamsun themes, special attention was paid to the stylization elements of northern mythology, shamanistic predictions, various legends, which creates an image of Siberia similar to the image of northern Europe by Hamsun.","PeriodicalId":36800,"journal":{"name":"Kritika i Semiotika","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Knut Hamsun in Siberia\",\"authors\":\"E. Kapinos, I. Loshchilov\",\"doi\":\"10.25205/2307-1737-2020-2-315-336\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article is devoted to various forms of Hamsun’s influence on Siberian writers of the 1910–1930s. On the pages of Siberian periodicals, the Norwegian writer was often mentioned in theatrical chronicle, in the lists of European book novelties, in poetic texts, but he influenced most clearly the general northern flavour of the Siberian prose. Fifteen stories and short novellas of famous Siberian writers (Georgy Grebenshchikov, Isaak Goldberg, Anton Sorokin, Georgy Vyatkin) and almost forgotten writers (Stepan Isakov, Arseny Zhilyakov, Maximilian Kravkov) form the “Siberian Hamsuniana”, the distinctive features of which are “anti-urbanism”, “ethnography”, folklorism, northern landscapes and scenes of folk life. When studying the texts that became the subject of description in this article, the materials from an archive of the Siberian literature historian and critic N. N. Yanovsky were used, who collected and printed a book of short stories by S. Isakov and A. Zhilyakov in the mid-1980s with an introductory article, which sets out biographies of forgotten writers. In the introductory article to this book, it is mentioned that literary comrades called Stepan Isakov half-jokingly to be the “Siberian Hamsun”. When analyzing the Siberian prose on Hamsun themes, special attention was paid to the stylization elements of northern mythology, shamanistic predictions, various legends, which creates an image of Siberia similar to the image of northern Europe by Hamsun.\",\"PeriodicalId\":36800,\"journal\":{\"name\":\"Kritika i Semiotika\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Kritika i Semiotika\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.25205/2307-1737-2020-2-315-336\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kritika i Semiotika","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25205/2307-1737-2020-2-315-336","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章致力于探讨哈姆生对1910 - 30年代西伯利亚作家的各种形式的影响。在西伯利亚期刊的页面上,这位挪威作家经常出现在戏剧编年史、欧洲小说列表和诗歌文本中,但他最明显地影响了西伯利亚散文的北方风格。由西伯利亚著名作家(格奥尔基·格列本什奇科夫、艾萨克·哥德堡、安东·索罗金、格奥尔基·维亚特金)和几乎被遗忘的作家(斯捷潘·伊萨科夫、阿尔谢尼·日利亚科夫、马克西米利安·克拉夫科夫)创作的15篇故事和中短篇小说组成了“西伯利亚哈姆苏尼亚纳”,其鲜明特征是“反城市主义”、“民族志”、民俗学、北方景观和民间生活场景。在研究成为本文描述主题的文本时,使用了西伯利亚文学史家和评论家n·n·亚诺夫斯基(N. N. Yanovsky)档案中的材料,他在20世纪80年代中期收集并印刷了一本由s·伊萨科夫(S. Isakov)和a·日利亚科夫(a . Zhilyakov)撰写的短篇小说集,并附带了一篇介绍文章,其中列出了被遗忘作家的传记。在这本书的导言中提到,文学界的同志们戏称斯捷潘·伊萨科夫是“西伯利亚的哈姆生”。在分析咸生题材的西伯利亚散文时,特别注意了北方神话、萨满教预言、各种传说的风格化因素,从而塑造出与咸生的北欧形象相似的西伯利亚形象。
The article is devoted to various forms of Hamsun’s influence on Siberian writers of the 1910–1930s. On the pages of Siberian periodicals, the Norwegian writer was often mentioned in theatrical chronicle, in the lists of European book novelties, in poetic texts, but he influenced most clearly the general northern flavour of the Siberian prose. Fifteen stories and short novellas of famous Siberian writers (Georgy Grebenshchikov, Isaak Goldberg, Anton Sorokin, Georgy Vyatkin) and almost forgotten writers (Stepan Isakov, Arseny Zhilyakov, Maximilian Kravkov) form the “Siberian Hamsuniana”, the distinctive features of which are “anti-urbanism”, “ethnography”, folklorism, northern landscapes and scenes of folk life. When studying the texts that became the subject of description in this article, the materials from an archive of the Siberian literature historian and critic N. N. Yanovsky were used, who collected and printed a book of short stories by S. Isakov and A. Zhilyakov in the mid-1980s with an introductory article, which sets out biographies of forgotten writers. In the introductory article to this book, it is mentioned that literary comrades called Stepan Isakov half-jokingly to be the “Siberian Hamsun”. When analyzing the Siberian prose on Hamsun themes, special attention was paid to the stylization elements of northern mythology, shamanistic predictions, various legends, which creates an image of Siberia similar to the image of northern Europe by Hamsun.