{"title":"马里兰研究所黑人档案:后保管项目","authors":"Ellen Y. Tani","doi":"10.24926/24716839.14589","DOIUrl":null,"url":null,"abstract":"This ideology (and it is ideology) fails to recognize or value the collective labor and knowledge already expended to produce any given individual and which forms the history behind what that individual produces (I include unpaid as well as paid labor—parents, teachers, informal advisors, friends and lovers, colleagues, peers, previous employers, the multitude who clean up after, etc.). In this regard, every artist and artwork has a collective lineage.1","PeriodicalId":42739,"journal":{"name":"Panorama","volume":"1 1","pages":""},"PeriodicalIF":0.8000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Maryland Institute Black Archives: A Post-Custodial Project\",\"authors\":\"Ellen Y. Tani\",\"doi\":\"10.24926/24716839.14589\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This ideology (and it is ideology) fails to recognize or value the collective labor and knowledge already expended to produce any given individual and which forms the history behind what that individual produces (I include unpaid as well as paid labor—parents, teachers, informal advisors, friends and lovers, colleagues, peers, previous employers, the multitude who clean up after, etc.). In this regard, every artist and artwork has a collective lineage.1\",\"PeriodicalId\":42739,\"journal\":{\"name\":\"Panorama\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Panorama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24926/24716839.14589\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"SOCIAL SCIENCES, INTERDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Panorama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24926/24716839.14589","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
Maryland Institute Black Archives: A Post-Custodial Project
This ideology (and it is ideology) fails to recognize or value the collective labor and knowledge already expended to produce any given individual and which forms the history behind what that individual produces (I include unpaid as well as paid labor—parents, teachers, informal advisors, friends and lovers, colleagues, peers, previous employers, the multitude who clean up after, etc.). In this regard, every artist and artwork has a collective lineage.1