Raina Lampkins-Fielder, Rebecca Salter Pra, Maxwell L. Jackson, R. Bray
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引用次数: 0
摘要
兰斯顿·休斯的诗《黑人讲河》于1921年首次发表在W. E. B.杜波依斯的杂志《危机》上。这首诗以流动的水体为隐喻,讲述了非洲人民从幼发拉底河、刚果河到密西西比河的磨难和穿越。这是一首温柔而抒情的诗,它既是对种族身份的个人探索,也是对集体精神的可怕敦促。休斯于1967年5月22日去世,他的骨灰后来被埋葬在休斯顿·康威尔的《河流》(1991)下——这是一个宇宙图,放在哈莱姆区肖姆伯格黑人文化研究中心的门厅里,上面刻有他1921年的诗句。来自亚特兰大的已故收藏家、策展人和作家威廉·阿内特(William Arnett)创立了“灵魂成长深层基金会”(SGDF),以休斯的一首诗中的一句话命名。阿内特的使命是记录、保存和推广来自美国南部的主要非裔美国艺术家的作品
Souls Grown Deep Like the Rivers: Black Artists from the American South
First published in W. E. B. Du Bois’s magazine The Crisis in 1921, Langston Hughes’s poem “The Negro Speaks of Rivers” uses the metaphor of a traveling body of water to narrate the trials and traversals of African peoples from the Euphrates and the Congo to the Mississippi. It is a tender and lyrical poem that manages to be both an individual search for racial identity and a fearsome urging for the collective spirit. Hughes died on May 22, 1967, and his ashes were later interred under Houston Conwill's Rivers (1991)—a cosmogram in the foyer of the Schomburg Center for Research in Black Culture in Harlem, with inscribed lines from his 1921 poem. William Arnett, the late collector, curator, and writer from Atlanta, founded the Souls Grown Deep Foundation (SGDF), so named after a line from Hughes’s poem. Arnett’s mission was to document, preserve, and promote the work of leading African American artists from the US South.1