Ana Lívia Mendes de Sousa, Paloma Israely Barbosa de Sá, Leilah Santiago Bufrem
{"title":"记忆与口述:ceara卡里里地区的中提琴歌唱与讲故事","authors":"Ana Lívia Mendes de Sousa, Paloma Israely Barbosa de Sá, Leilah Santiago Bufrem","doi":"10.26512/RICI.V13.N2.2020.28269","DOIUrl":null,"url":null,"abstract":"It Considers that memory is responsible for the remembrance and knowledge which helps on the construction of the society culture. It Highlights the story telling and the viola singing as manifestations which take advantage of memory to keep themselves alive and to dissociate the (local) culture as a propagation of the own practice of transmitted information through its performance (verses and stories). It questions what approximate these cultural practices, how they are identify and construct themselves in the local conjecture. It aims at elucidating the dialogue produced and expressed from the relations between tradition and orality being the memory the demarcation of the continuity of generations, a way of reaffirming the cultural values of Cariri from Ceara and the contribution of this memory in the construction of individual and collective stories. It analyzes the literature on the topic, considering that both the story telling as the viola singing congregate, in relation to their actors and their oeuvre, a repository of memories of their generation, their people, becoming elements of representation and society connection and its social, economic, political and cultural facets.","PeriodicalId":41445,"journal":{"name":"Revista Ibero-Americana de Ciencia da Informacao","volume":"13 1","pages":"619-635"},"PeriodicalIF":0.2000,"publicationDate":"2020-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Memória e Oralidade: a cantoria de viola e a contação de histórias na Região do Cariri Cearense\",\"authors\":\"Ana Lívia Mendes de Sousa, Paloma Israely Barbosa de Sá, Leilah Santiago Bufrem\",\"doi\":\"10.26512/RICI.V13.N2.2020.28269\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"It Considers that memory is responsible for the remembrance and knowledge which helps on the construction of the society culture. It Highlights the story telling and the viola singing as manifestations which take advantage of memory to keep themselves alive and to dissociate the (local) culture as a propagation of the own practice of transmitted information through its performance (verses and stories). It questions what approximate these cultural practices, how they are identify and construct themselves in the local conjecture. It aims at elucidating the dialogue produced and expressed from the relations between tradition and orality being the memory the demarcation of the continuity of generations, a way of reaffirming the cultural values of Cariri from Ceara and the contribution of this memory in the construction of individual and collective stories. It analyzes the literature on the topic, considering that both the story telling as the viola singing congregate, in relation to their actors and their oeuvre, a repository of memories of their generation, their people, becoming elements of representation and society connection and its social, economic, political and cultural facets.\",\"PeriodicalId\":41445,\"journal\":{\"name\":\"Revista Ibero-Americana de Ciencia da Informacao\",\"volume\":\"13 1\",\"pages\":\"619-635\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-04-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista Ibero-Americana de Ciencia da Informacao\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.26512/RICI.V13.N2.2020.28269\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"INFORMATION SCIENCE & LIBRARY SCIENCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Ibero-Americana de Ciencia da Informacao","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26512/RICI.V13.N2.2020.28269","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"INFORMATION SCIENCE & LIBRARY SCIENCE","Score":null,"Total":0}
Memória e Oralidade: a cantoria de viola e a contação de histórias na Região do Cariri Cearense
It Considers that memory is responsible for the remembrance and knowledge which helps on the construction of the society culture. It Highlights the story telling and the viola singing as manifestations which take advantage of memory to keep themselves alive and to dissociate the (local) culture as a propagation of the own practice of transmitted information through its performance (verses and stories). It questions what approximate these cultural practices, how they are identify and construct themselves in the local conjecture. It aims at elucidating the dialogue produced and expressed from the relations between tradition and orality being the memory the demarcation of the continuity of generations, a way of reaffirming the cultural values of Cariri from Ceara and the contribution of this memory in the construction of individual and collective stories. It analyzes the literature on the topic, considering that both the story telling as the viola singing congregate, in relation to their actors and their oeuvre, a repository of memories of their generation, their people, becoming elements of representation and society connection and its social, economic, political and cultural facets.