Taras Shevchenk的基督教建筑师

Q3 Arts and Humanities Przeglad Wschodnioeuropejski Pub Date : 2023-06-26 DOI:10.31648/pw.9031
Olga Bigun
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引用次数: 0

摘要

拜占庭文化在斯拉夫土地上的同化伴随着新约的注释和象征形象的现象价值的形成,这是当时文学和艺术意识的一部分。基督教原型的力场在乌克兰文学中保留了悠久的传统。舍甫琴科的绘画和文学作品中的复活和钉十字架的基督教原型研究与比较文学和神学训诂的现代方法,考虑到艺术基督论,哲学和美学的方法,艺术的原型解释的关键思想。在舍甫琴科的诗歌中,复活和受难的原型在许多修改中得到体现,其中复活/受难具有象征意义,在乌克兰的复活/受难、人民的复活/受难、抒情英雄的复活/受难等意义上。在绘画中,基督教原型与新约历史的传播直接相关。
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Християнські архетипи у творчості Тараса Шевченка
The assimilation of Byzantine culture in the Slavic lands was accompanied by the exegesis of the New Testament and the formation of the phenomenal value of symbolic images, which were part of the literary and artistic consciousness of that time. The force field of Christian archetypes has preserved a long tradition in the Ukrainian literature. Christian archetypes of the Resurrection and the Crucifixion in Shevchenko’s painting and literary work are studied with modern approaches to comparative literature and theological exegesis, taking into account artistic Christology, philosophical and aesthetic approach to art, and key ideas of archetypal interpretation. It is found out that, in Shevchenko’s poetry, the archetypes of the Resurrection and the Crucifixion are manifested in a number of modifications, where resurrection / crucifixion has a symbolic meaning in the sense of the resurrection / crucifixion of Ukraine, the resurrection / crucifixion of the people, the resurrection / crucifixion of a lyrical hero, etc. In painting, Christian archetypes are directly related to the transmission of the New Testament history.
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来源期刊
Przeglad Wschodnioeuropejski
Przeglad Wschodnioeuropejski Arts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
25
期刊最新文献
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