从自传体的角度看Natália科雷亚和希尔达·希尔斯特的不敬观

Maria Heloisa Martins Dias
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引用次数: 0

摘要

本文探讨了两位才华横溢、备受争议的作家。一个是葡萄牙人,一个是巴西人,他们都以蔑视和挑衅的方式关注自己和世界。Natália科雷亚,诗人、小说家和亚速尔剧作家(1923- 1993),他的作品出现在萨拉查政权的中间,并在20世纪50年代和60年代与葡萄牙文化和文学的其他主要人物一起进行了激进的政治文学表演。她的诗歌与超现实主义的审美倾向保持着密切的联系,尽管她并不是任何文学运动的严格追随者。希尔达·希尔斯特(Hilda Hilst)是一位来自圣保罗的诗人、散文作家和剧作家(1930-2004),她是一位不同性质的激进分子。她与任何美学节目或文学潮流都没有联系,这一点即使在今天也让批评家们难以接受。
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Irreverent Views of Natália Correia and Hilda Hilst from an Autobiographical Perspective
This article explores two talented, controversial writers. One Portuguese, the other Brazilian, both fueled by irreverence and provocation in the way they focus on themselves and the world. Natália Correia, a poet, novelist and Azorean playwright (1923-93), whose work emerged in the midst of the Salazar regime, and with a militant political-literary performance with other leading figures in Portuguese culture and literature during the 1950s and 1960s. Her poetry maintains affinities with aesthetic tendencies of Surrealism, although she was not a strict follower of any literary movement. Hilda Hilst, a poet, prose and playwright from São Paulo (1930-2004), was a militant of different nature. She was not linked to any aesthetic programs or literary trends, a singularity that even today defies critics.
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来源期刊
Rassegna Iberistica
Rassegna Iberistica Arts and Humanities-Literature and Literary Theory
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0.10
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22
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