{"title":"后记","authors":"Naisargi N. Davé","doi":"10.3167/cja.2021.390110","DOIUrl":null,"url":null,"abstract":"This Afterword explores the volume’s ambivalent relationship to witnessing, and argues for a synaesthetics of seeing. Drawing on literature fictive and otherwise, with an emphasis on animality (fictive and otherwise), it reflects on how sound and touch enable us to see.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Afterword\",\"authors\":\"Naisargi N. Davé\",\"doi\":\"10.3167/cja.2021.390110\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This Afterword explores the volume’s ambivalent relationship to witnessing, and argues for a synaesthetics of seeing. Drawing on literature fictive and otherwise, with an emphasis on animality (fictive and otherwise), it reflects on how sound and touch enable us to see.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/cja.2021.390110\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/cja.2021.390110","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This Afterword explores the volume’s ambivalent relationship to witnessing, and argues for a synaesthetics of seeing. Drawing on literature fictive and otherwise, with an emphasis on animality (fictive and otherwise), it reflects on how sound and touch enable us to see.
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