{"title":"半个世纪的模棱两可:阿根廷“民间投影音乐”的术语-概念问题","authors":"Juliana Guerrero","doi":"10.34096/RUNA.V35I2.1167","DOIUrl":null,"url":null,"abstract":"The naming and description of the “musica de proyeccion folclorica” is consi dered. On the one hand, the different criteria used by researchers to address the issue from a terminological-conceptual perspective are analyzed. On the other hand, a reference to this problem is made through the protagonists’ speeches when they alluded to a new musical phenomenon, which emerged in Buenos Aires in the mid-1960s and which made more complex the musical scene.. Meio seculo de ambiguidade: o problema terminologico e conceitual de “musica de proyeccion folclorica” argentina","PeriodicalId":30160,"journal":{"name":"Runa","volume":"35 1","pages":"51-66"},"PeriodicalIF":0.0000,"publicationDate":"2014-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Medio siglo de ambigüedad: el problema terminológico-conceptual de la \\\"música de proyección folclórica\\\" argentina\",\"authors\":\"Juliana Guerrero\",\"doi\":\"10.34096/RUNA.V35I2.1167\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The naming and description of the “musica de proyeccion folclorica” is consi dered. On the one hand, the different criteria used by researchers to address the issue from a terminological-conceptual perspective are analyzed. On the other hand, a reference to this problem is made through the protagonists’ speeches when they alluded to a new musical phenomenon, which emerged in Buenos Aires in the mid-1960s and which made more complex the musical scene.. Meio seculo de ambiguidade: o problema terminologico e conceitual de “musica de proyeccion folclorica” argentina\",\"PeriodicalId\":30160,\"journal\":{\"name\":\"Runa\",\"volume\":\"35 1\",\"pages\":\"51-66\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-12-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Runa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.34096/RUNA.V35I2.1167\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Runa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34096/RUNA.V35I2.1167","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Medio siglo de ambigüedad: el problema terminológico-conceptual de la "música de proyección folclórica" argentina
The naming and description of the “musica de proyeccion folclorica” is consi dered. On the one hand, the different criteria used by researchers to address the issue from a terminological-conceptual perspective are analyzed. On the other hand, a reference to this problem is made through the protagonists’ speeches when they alluded to a new musical phenomenon, which emerged in Buenos Aires in the mid-1960s and which made more complex the musical scene.. Meio seculo de ambiguidade: o problema terminologico e conceitual de “musica de proyeccion folclorica” argentina