(科技)诗意的拯救

Q4 Arts and Humanities Forum Philosophicum Pub Date : 1970-01-01 DOI:10.35765/forphil.2021.2602.05
Krzysztof Ziarek
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引用次数: 0

摘要

本文考察了海德格尔“诗意的拯救”的概念,这一概念源于海德格尔对Hölderlin在“帕特莫斯”中的台词的评论,“然而,危险在哪里,拯救也在哪里生长。”海德格尔关于技术的两面性本质的评论借鉴了这些路线,将框架描述为危险和拯救的可能性。从危险到拯救的转变取决于一种诗意揭示的可能性,这种可能性已经被现代性中占主导地位的揭示所掩盖,甚至不被允许,即das Gestell。如海德格尔所说,为了解放诗意揭示的可能性和从中传播的拯救,人类需要学会成为凡人。在这里,必死意味着“能够以死亡的方式死亡”——也就是说,注意到每时每刻都在跳动的虚无。因此,海德格尔所探索的拯救,是在揭示中,将凡人特有的经验释放出来,而揭示是将所有存在的东西都命令为预备预备的现成可用性
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The (Techno-)Poetical Rescue
This essay examines the notion of “poetical rescue” in Heidegger, which derives from Heidegger’s commentary on Hölderlin’s lines from “Patmos,” “Yet where danger is, grows also that which rescues.” Heidegger’s remarks on the two-faced essence of technology draw on these lines, characterizing the enframing as both the danger and the possibility of saving. The turn from danger to rescue depends on the possibility of a poetic revealing, which has been overshadowed, even disallowed, by the dominant revealing in modernity—namely, das Gestell. To free the possibility of the poetic revealing and the rescue spreading from it, humans, as Heidegger remarks, need to learn to become mortals. To be mortal means here being “capable of death as death”—that is, becoming attentive to the nothingness pulsing in every moment. The rescue Heidegger explores is thus the freeing of the experience proper to being mortal in the midst of a revealing that orders all that exists into the ready availability of a standing-reserve
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
2
审稿时长
30 weeks
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