18世纪俄罗斯绘画中的荷兰-佛兰德花卉和水果主题:从科学和象征到图像审美化

Q4 Social Sciences Academia (Greece) Pub Date : 2021-01-01 DOI:10.37953/2079-0341-2021-1-1-23-31
Tatiana A. Zakharova
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引用次数: 0

摘要

俄罗斯水果和花卉静物画的历史始于18世纪,当时俄罗斯国家的艺术文化与欧洲国家,特别是与荷兰的艺术文化越来越接近。这篇文章展示了18世纪俄罗斯水果和花卉静物在荷兰-佛兰德继承背景下的演变。主要集中在静物的客观母题及其语义上。在这种类型的作品中,荷兰传统的连续性可以追溯到“符号和象征”,这是一本由彼得一世倡议出版的图像学参考书。
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Dutch-Flemish motifs of flowers and fruit in the 18th-Century Russian Painting: From Science and Emblems to the Image Aestheticization
The history of Russian fruit and flower still life began in the 18th century, when Russian state’s art culture was getting closer to that of European countries, especially with the Netherlands. This article shows the evolution of Russian fruit and flower still life of the 18th century in the context of Dutch-Flemish inheritance. The major focus is made on the objective motifs of the still life and its semantics. In the works of this genre, the continuity of Dutch traditions could be traced due to “Symbols and Emblemata”, an iconological reference book published at the initiative of Peter I.
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
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0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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