北美土著艺术中的土著未来主义

IF 0.2 3区 文学 0 LITERATURE EXTRAPOLATION Pub Date : 2016-04-18 DOI:10.3828/EXTR.2016.8
Kristina Baudemann
{"title":"北美土著艺术中的土著未来主义","authors":"Kristina Baudemann","doi":"10.3828/EXTR.2016.8","DOIUrl":null,"url":null,"abstract":"This article defines Indigenous futurisms as Indigenous storytelling about the future and discusses its form and function in the work of five contemporary North American Indigenous artists. This involves, on the one hand, locating Indigenous artistic expression in the complex discursive field of colonialist representations, postmodern aesthetics, and popular culture; on the other hand, Indigenous futurisms must be both linked with and delineated from Western traditions of imagining the future. The future is an ideologically inflected space and in order to establish artistic presence and envision Indigenous futures, Indigenous artists break open structures of meaning production and liberate Indigenous forms of expression from stereotyping. On the intersection of North American Indigenous realities with pop art and popular culture, and of the memory of historical trauma with Western ideologies of progress, Indigenous artists create a visual code to map out new worlds and project Indigenous sovereignties int...","PeriodicalId":42992,"journal":{"name":"EXTRAPOLATION","volume":"57 1","pages":"117-150"},"PeriodicalIF":0.2000,"publicationDate":"2016-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3828/EXTR.2016.8","citationCount":"6","resultStr":"{\"title\":\"Indigenous Futurisms in North American Indigenous Art\",\"authors\":\"Kristina Baudemann\",\"doi\":\"10.3828/EXTR.2016.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article defines Indigenous futurisms as Indigenous storytelling about the future and discusses its form and function in the work of five contemporary North American Indigenous artists. This involves, on the one hand, locating Indigenous artistic expression in the complex discursive field of colonialist representations, postmodern aesthetics, and popular culture; on the other hand, Indigenous futurisms must be both linked with and delineated from Western traditions of imagining the future. The future is an ideologically inflected space and in order to establish artistic presence and envision Indigenous futures, Indigenous artists break open structures of meaning production and liberate Indigenous forms of expression from stereotyping. On the intersection of North American Indigenous realities with pop art and popular culture, and of the memory of historical trauma with Western ideologies of progress, Indigenous artists create a visual code to map out new worlds and project Indigenous sovereignties int...\",\"PeriodicalId\":42992,\"journal\":{\"name\":\"EXTRAPOLATION\",\"volume\":\"57 1\",\"pages\":\"117-150\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2016-04-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.3828/EXTR.2016.8\",\"citationCount\":\"6\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EXTRAPOLATION\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/EXTR.2016.8\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EXTRAPOLATION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/EXTR.2016.8","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 6

摘要

本文将土著未来主义定义为土著对未来的叙述,并讨论了其在五位当代北美土著艺术家作品中的形式和功能。这涉及到,一方面,将土著艺术表达定位于殖民主义表征、后现代美学和流行文化的复杂话语领域;另一方面,土著未来主义必须与西方想象未来的传统联系起来,并从西方想象未来的传统中勾画出来。未来是一个意识形态变化的空间,为了建立艺术存在和设想土著的未来,土著艺术家打破了意义生产的开放结构,并将土著的表达形式从刻板印象中解放出来。在北美土著现实与波普艺术和流行文化的交叉点上,在历史创伤的记忆与西方进步意识形态的交叉点上,土著艺术家创造了一种视觉代码,以绘制新的世界,并将土著主权投射到……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Indigenous Futurisms in North American Indigenous Art
This article defines Indigenous futurisms as Indigenous storytelling about the future and discusses its form and function in the work of five contemporary North American Indigenous artists. This involves, on the one hand, locating Indigenous artistic expression in the complex discursive field of colonialist representations, postmodern aesthetics, and popular culture; on the other hand, Indigenous futurisms must be both linked with and delineated from Western traditions of imagining the future. The future is an ideologically inflected space and in order to establish artistic presence and envision Indigenous futures, Indigenous artists break open structures of meaning production and liberate Indigenous forms of expression from stereotyping. On the intersection of North American Indigenous realities with pop art and popular culture, and of the memory of historical trauma with Western ideologies of progress, Indigenous artists create a visual code to map out new worlds and project Indigenous sovereignties int...
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
EXTRAPOLATION
EXTRAPOLATION LITERATURE-
CiteScore
0.60
自引率
33.30%
发文量
8
期刊最新文献
The Design Unraveling Toward a Metaphysics of Relinquishment: Sf, Posthumanism, New Materialism “Vile Matter” “I’m Traversing My Own Death Throes” Breathing with Seagrass
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1