天使报喜图像中的床(14 -15世纪):根据拉丁教父的图像解释

IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES De Medio Aevo Pub Date : 2021-02-02 DOI:10.5209/DMAE.70663
J. Salvador-González
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引用次数: 3

摘要

14世纪和15世纪的天使报喜的画面中经常有一张床,这让我们推测这件家具包含了一些特别相关的象征意义。鉴于如此不寻常的细节,本文试图解释这张床可能提供的教义意义。从这个意义上说,这一时期的十二份报信,包括一张床,首先是用个人的解释来分析的,这种解释与其他现代作者提出的一些不充分的“解释”相反。我们将尝试根据大量的文本来证明我们的解释是正确的,通过这些文本,许多拉丁教父和神学家将丘脑的概念视为两个互补的隐喻:一个隐喻是上帝的儿子在玛利亚的子宫里的化身,另一个隐喻是玛利亚的处女神圣的母性。
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The bed in images of the Annunciation (14th-15th centuries): An iconographic interpretation according to Latin Patristics
The images of the Annunciation of the 14th and 15th centuries often include in their scene a bed with evident prominence, which allows us to conjecture that this piece of furniture contains some symbolism of particular relevance. Given such unusual detail, this article seeks to interpret the possible doctrinal meanings that this bed could provide. In this sense, twelve Annunciations of this period, which include a bed, are analyzed first with a personal interpretation that stands against some inadequate “interpretations” proposed by other modern authors. We will try to justify our interpretations based on an abundant corpus of texts through which many Latin Fathers and theologians see the thalamus concept as two complementary metaphors: a metaphor of God Son’s incarnation in Mary's womb, and also a metaphor of Mary’s virgin divine motherhood.
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来源期刊
De Medio Aevo
De Medio Aevo MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.40
自引率
50.00%
发文量
28
审稿时长
8 weeks
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