{"title":"关于调音的一些注意事项","authors":"David W. Samuels-MacKinnon","doi":"10.5406/21567417.67.2.08","DOIUrl":null,"url":null,"abstract":"\n For more than three decades, the undergraduate textbook Worlds of Music has introduced students to the idea of the music-culture with a story about orchestral tuning up. Stumbling across a version of that story from the late nineteenth century, I embarked on an exploration of the social circulation of this anecdote. Although I did not find a replica of the narrative as it appears in Worlds of Music, I was nonetheless able to discover its links to three European visits made by the shah of Persia Nasir al-Din, as well as a fourth about Giuseppe Donizetti, who was court musician to the Sultan Mahmoud II. Moreover, exploring the circulation of these narratives revealed metadiscursive affordances that lead to an ongoing discussion of tuning up and its place within the European high art tradition.","PeriodicalId":51751,"journal":{"name":"ETHNOMUSICOLOGY","volume":"1 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Some Notes on Tuning Up\",\"authors\":\"David W. Samuels-MacKinnon\",\"doi\":\"10.5406/21567417.67.2.08\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n For more than three decades, the undergraduate textbook Worlds of Music has introduced students to the idea of the music-culture with a story about orchestral tuning up. Stumbling across a version of that story from the late nineteenth century, I embarked on an exploration of the social circulation of this anecdote. Although I did not find a replica of the narrative as it appears in Worlds of Music, I was nonetheless able to discover its links to three European visits made by the shah of Persia Nasir al-Din, as well as a fourth about Giuseppe Donizetti, who was court musician to the Sultan Mahmoud II. Moreover, exploring the circulation of these narratives revealed metadiscursive affordances that lead to an ongoing discussion of tuning up and its place within the European high art tradition.\",\"PeriodicalId\":51751,\"journal\":{\"name\":\"ETHNOMUSICOLOGY\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ETHNOMUSICOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/21567417.67.2.08\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ETHNOMUSICOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21567417.67.2.08","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
For more than three decades, the undergraduate textbook Worlds of Music has introduced students to the idea of the music-culture with a story about orchestral tuning up. Stumbling across a version of that story from the late nineteenth century, I embarked on an exploration of the social circulation of this anecdote. Although I did not find a replica of the narrative as it appears in Worlds of Music, I was nonetheless able to discover its links to three European visits made by the shah of Persia Nasir al-Din, as well as a fourth about Giuseppe Donizetti, who was court musician to the Sultan Mahmoud II. Moreover, exploring the circulation of these narratives revealed metadiscursive affordances that lead to an ongoing discussion of tuning up and its place within the European high art tradition.
期刊介绍:
As the official journal of the Society for Ethnomusicology, Ethnomusicology is the premier publication in the field. Its scholarly articles represent current theoretical perspectives and research in ethnomusicology and related fields, while playing a central role in expanding the discipline in the United States and abroad. Aimed at a diverse audience of musicologists, anthropologists, folklorists, cultural studies scholars, musicians, and others, this inclusive journal also features book, recording, film, video, and multimedia reviews. Peer-reviewed by the Society’s international membership, Ethnomusicology has been published three times a year since the 1950s.