La creación del mundo在17世纪的街道和舞台

IF 0.4 0 LITERATURE, ROMANCE Comedia Performance Pub Date : 2020-01-01 DOI:10.5325/comeperf.17.1.0007
Thacker
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引用次数: 0

摘要

到1629年,黄金时代剧团的剧目中有两部名为《creación del mundo》的喜剧,一部是洛普·德·维加的,另一部是路易斯·瓦姆斯·德·格瓦拉的。从剧本的文本,一个是印刷版,另一个是手稿,也许特别是从这些剧本文本中包含的舞台指示,可以初步推断出这些作品是如何以及在哪里演出的——这些作品戏剧化了旧约《创世纪》的早期章节。分析巴达霍斯的档案文件,结合这两个剧本文本,以及对那个时期的表演规范的认识,可能有助于解开Creación是Lope的还是vastlez的这个谜团。
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La creación del mundo on the Seventeenth-century Street and Stage
: By 1629 there were two comedias entitled La creación del mundo in the repertoires of Golden Age acting troupes, one by Lope de Vega and the other by Luis Vélez de Guevara. From the texts of the plays, one a printed edition and the other a manuscript, and perhaps especially from the stage directions included in these play-texts, it is possible to make some tentative deductions about how and where these works–dramatizing the early chapters of the Old Testament Book of Genesis–were performed. Analysis of archival documentation from Badajoz together with these two play texts and an awareness of performance norms of the period may help solve the riddle of which Creación came first, Lope’s or Vélez’s.
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