从虚无中看到过去:考古学中的图像与科学

Laurent Dissard
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引用次数: 2

摘要

1968年至1975年,在建造克班大坝之前,在土耳其东部进行了国际和多学科的救援挖掘工作。本文着重从该打捞项目的现场报告中发现的三种具体的视觉技术(人工制品类型学、战壕拍摄和网格地图)来分析考古学在视觉上定义其研究对象的方式。虽然科学发掘使过去的发现变得可见,但在该学科的最终出版物中,它们的表现掩盖了对它们负责的人类代理人。换句话说,作为可视化工具的考古学知识前景,其生产条件同时被边缘化。通过将“挖掘”的混乱过程退居幕后,考古学的可视化技术使其实践者能够从遥远的“无处”的现在看到过去和所有的物体。
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Seeing the Past from Nowhere: Images and Science in Archaeology
Between 1968 and 1975, international and multidisciplinary rescue excavations were undertaken in Eastern Turkey before the construction of the Keban Dam. This article focuses on three specific visual techniques (the artifact typology, the trench shot, and the gridded map) found in the site reports of this salvage project, in order to analyze the way archaeology visually defines its object(s) of study. While scientific excavations make discoveries of the past visible, their representations in the discipline’s final publications conceal the human agents responsible for them. In other words, as tools of visualization foreground archaeological knowledge, the conditions of its production are concurrently sidelined. By relegating the messy process of “digging” to the background, archaeology’s techniques of visualization allow its practitioners to see the past, and all of its objects, from a distant present located “nowhere.”
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