时尚的可持续性:将过去的创意作为未来的灵感

Sonja Jocić
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引用次数: 0

摘要

甚至在时尚可持续发展运动出现之前,一些欧洲和日本的时装设计师就在积极地发明新的创意原则。这类设计师的典型代表有:Martin Margiela, Rei Kawakubo, Yohji Yamamoto和Issey Miyake。他们创造了一种全新的、不同的、个人的时尚风格,这是他们独特的审美创造力的结果。他们凭借自己独到的创意,不断突破服装设计和艺术创作的界限,为现代可持续时尚的发展奠定了基础。作为可持续时装设计的策略,在时装设计师可用的创造性实验解决方案中,创造没有织物浪费的服装(“零浪费”)脱颖而出。这种创造性的实验性设计方案的灵感可以从日本传统的折纸技巧(折纸)和日本传统服装(和服)的方法和技术中找到。将这一概念引入时尚,不仅为重塑身体与服装之间的关系提供了机会,而且有可能在21世纪创造基于可持续性和新普遍性的服装设计。然而,跟随著名设计师的做法,我们可以看到,要想在可持续的服装设计中取得成功,必须掌握传统的、有时被遗忘的工艺的基础,这肯定会通过提升自己的思想而进一步进步。
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Sustainability in fashion: Past creativity as an inspiration for the future
Even before the emergence of the fashion sustainability movement, some European and Japanese fashion designers were active in inventing new creative principles. Key examples of such designers are: Martin Margiela, Rei Kawakubo, Yohji Yamamoto and Issey Miyake. They have created a completely new, different and personal style in fashion, as a consequence of exceptional aesthetic creativity. With their ingenious creativity and by pushing the boundaries in fashion design and artistic creation, they managed to create a basis for the development of modern sustainable fashion. Among the creative-experimental solutions available to a fashion designer as a strategy for sustainable fashion design, the creation of clothes without fabric waste ("zero-waste") stands out. The inspiration for such a creative-experimental design solution can be found in methods and techniques of traditional Japanese paper folding skills - origami, as well as in traditional Japanese costume - kimono. The introduction of this concept into fashion provides an opportunity not only to reshape the relation between body and clothing, but also has the potential to create clothing design based on sustainability and a new universality in the twenty-first century. Nevertheless, following the approach of famous designers, it can be seen that for success in sustainable fashion design is necessary to master the fundamentals of traditional and sometimes forgotten craftmanship, which could surely lead to further progress by upgrading one's own ideas.
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审稿时长
12 weeks
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