歌颂统治者、重述其过去的诗歌模式——Sāḷuva Narasiṃha Ahobilanarasiṃha化身的Sāḷuvābhyudaya叙事

Q4 Arts and Humanities Acta Asiatica Varsoviensia Pub Date : 2022-01-01 DOI:10.60018/acasva.buce9608
Ewa Dębicka-Borek
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引用次数: 3

摘要

本文讨论了在公元1480年左右,由Rājanātha Ḍiṇḍima撰写的题为Sāḷuvābhyudaya的梵文mahākāvya中叙述过去的诗歌模式,以纪念Sāḷuva王朝的即将建立者Sāḷuva Narasiṃha。专注于这首诗的第二章,这首诗的主题是神的干预,最终以神奇的未来概念为高潮,我认为将Sāḷuva Narasiṃha描述为Ahobilanarasiṃha的化身-一种相当当地所知的Narasiṃha形式,主持阿霍比拉姆(现安得拉邦)的毗瑟那瓦宗教中心-旨在阐明他的军事力量,并证明他对维贾耶那加拉王位的要求是正当的。同时也揭示了维查耶那加拉统治者与寺庙和宗教机构合作的兴趣日益浓厚。
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On Poetic Modes of Glorifying a Ruler and Retelling His Past: The Sāḷuvābhyudaya Narrative on Sāḷuva Narasiṃha the Ahobilanarasiṃha Incarnate
This paper discusses the poetic modes of recounting the past in a Sanskrit mahākāvya titled Sāḷuvābhyudaya, authored by Rājanātha Ḍiṇḍima ca. 1480 AD, to eulogise Sāḷuva Narasiṃha, the soon-to-be founder of the Sāḷuva dynasty of Vijayanagara. Focusing on the poem’s second canto, which is built on the theme of divine intervention culminating in the miraculous conception of the future, I argue that depiction of Sāḷuva Narasiṃha as the Ahobilanarasiṃha incarnate – a rather locally known form of Narasiṃha presiding over a Vaishnava religious centre in Ahobilam (currently Andhra Pradesh) – was aimed at enunciating his martial power and justifying his claims to the Vijayanagara throne, while simultaneously revealing the growing interests of Vijayanagara rulers in cooperating with temples and religious institutions.
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来源期刊
Acta Asiatica Varsoviensia
Acta Asiatica Varsoviensia Arts and Humanities-Arts and Humanities (miscellaneous)
CiteScore
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审稿时长
52 weeks
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