屏幕格式的“移动效应”:以垂直视频为例

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Journal of Science and Technology of the Arts Pub Date : 2016-12-27 DOI:10.7559/CITARJ.V8I2.169
M. Napoli
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引用次数: 3

摘要

通过手机制作的视频可能正在改变我们对视频的看法,无论是虚构的故事还是私人电影,甚至是通过网络迅速传播的事件编年史,都是用来讲述或展示某些东西的视频。在使用方面已经发生了变化,因为新的数字便携式设备允许将注意力集中在一种媒体上,多种媒体具有各种功能。因此,像电话这样的工具已经增强了通常为其他媒体设计的新功能。在这个挪用的过程中,新的移动设备改变了这些新功能的使用方式,当然,这是由于新的条件。由于出现了粗糙的动作,不断放大和缩小,当然还有播放不合标准的视频质量,新工具带来了垂直拍摄的实践,从而养成了一种习惯。然而,在摄影的历史上,风景和人像这两种形式一直共存。本文旨在简要分析一种快速而持续演变的局面,这种局面的特点是出现了新的范式,以回应逐渐被定义的视觉审美规则。
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The “Mobile Effect” on Screen Format: the Case of Vertical Videos
The videos made through mobile phones are probably changing the way we think of videos created to tell or show something, both imaginary tales or private movies, or even chronicles of events to spread rapidly through the web. A change has already occurred in the use, as the new digital portable devices allowed to concentrate on a single medium a variety of media with various functions. Therefore, a tool like the telephone has been enhanced with new features typically designed for other media.In this process of appropriation, new mobile devices changed the way these new features are being used, due, of course, to new conditions. Other than multiplying the production of images that one would call "dirty" due to the presence of rough movements, continuous zoom in and zoom out and, of course, broadcast sub-standard video quality, the new tools introduced the practice of vertical shooting, so inducing a habit.In the history of photography, however, the two formats, landscape and portrait, have always lived together. This paper aims to analyze, briefly, a situation in rapid and continuous evolution, also characterized by the presence of new paradigms responding to visual aesthetic rules that are gradually being defined.
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来源期刊
Journal of Science and Technology of the Arts
Journal of Science and Technology of the Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊介绍: The Journal of Science and Technology of the Arts (CITARJ) covers a wide range of topics related to the study and practice of Artistic work approached through Science and Technology, including: -Aesthetics of New Media- Audiovisual and Cinematic Art- Computer Music- Digital Arts - Digital Culture- Generative Art/Systems- Interactive Art - Interactive Multimedia- Interactive Sound- New Interfaces for Digital Expression- New Media Art- Tangible interfaces.
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