在创造性环境中培养创造力:沙特建筑公司的实证研究

Q2 Economics, Econometrics and Finance Contemporary Management Research Pub Date : 2016-03-31 DOI:10.7903/CMR.14431
A. ElMelegy, Qadir Mohiuddin, J. Boronico, Ahmed Maasher
{"title":"在创造性环境中培养创造力:沙特建筑公司的实证研究","authors":"A. ElMelegy, Qadir Mohiuddin, J. Boronico, Ahmed Maasher","doi":"10.7903/CMR.14431","DOIUrl":null,"url":null,"abstract":"INTRODUCTIONIntense global competition is forcing the development of a culture that nurtures creativity. Conceptually, creativity is hard to define, and even when organizations succeed in innovation projects, managers are not always satisfied with the results (Fagerberg, Mowery, & Nelson, 2006). What can be done, however, is to establish a culture and environment that fosters value-added services (Coveney, 2008; Kozbelt, Beghetto, & Runco, 2010). In keeping with earlier realities of global competition, which certainly still hold true now, Amabile (1988, p. 126) asserted that creative employees have become the source of original and potentially useful ideas and solutions for a firm's renewal of products, services, and processes.Organizational creativity is considered a new research area (Shalley, Gilson, & Blum, 2009). The main focus of recent research on creativity has been on creative subprocesses in an operational sense (Rietzschel, De Dreu, & Nijstad, 2009) where there is an obvious need for an integrative framework for creativity applications in open and continuously innovative workplaces (Scharmer, 2009). The ability to develop a culture that nurtures creativity is crucial and if it does not occur spontaneously, managers need to take responsibility to establish the right work environment, as well as to develop innovation strategies that foster new ideas to be transformed into value-added services (Coveney, 2008).In the Kingdom of Saudi Arabia, construction and architectural design have experienced a significant boom in recent decades. This offers possibilities for researching the nexus between creativity, innovation and Saudi architectural firms' support for creativity. Thus, this paper examines the relationship between architectural design-related management practices and creativity in Saudi Arabia. The purpose of this study is to explore the factors affecting organizational creativity in five architectural firms operating in Saudi Arabia using Amabile's componential theory. The objective is to validate the hypotheses of this theory to help executives and decision makers in Saudi architectural firms to enhance their understanding of what makes their employees, and specifically designers, more creative and their organizations more innovative.THEORETICAL CONTEXT AND RESEARCH HYPOTHESESCreativity and Innovation in the WorkplaceCreativity is \"the production of novel and useful ideas in any domain\" (Amabile, Conti, Coon, Lazenby, & Herron, 1996, p. 1155). Hennessey and Amabile (2010) stated that creativity is the production of a novel and appropriate response or solution to a problem. The response must be new, valuable, and fitting to a particular goal. The terms creativity and innovation are also often stated in tandem in practice although there are some variations in meaning (Hunter, Bedell, & Mumford, 2007). The main distinction between the two is that creativity is the generation of creative ideas while innovation is the implementation of these ideas (Heye, 2006). The role of individual creativity in fostering organizational creativity and innovation is an essential ingredient for longterm success and survival (Amabile, Burnside, & Gryskiewicz, 1999; Pitta, 2009).Organizational creativity is defined as \"the creation of a valuable, useful new product, service, idea, procedure, or process by individuals working together in a complex social system\" (Woodman, Sawyer, & Griffin, 1993, p. 293). Pitta (2009) proposed that one of the key drivers of organizational creativity is the strong support of individual creativity. Coelho, Augusto, and Lages (2011) emphasized the need for an organizational culture that supports individual creativity and innovation. Organizations which failed to foresee the importance of creativity activities have had higher failure rates because of their weakness in establishing a culture and climate that values new ideas. Fostering creativity in the organizational culture would promote innovation and increase competitiveness. …","PeriodicalId":36973,"journal":{"name":"Contemporary Management Research","volume":"12 1","pages":"89-120"},"PeriodicalIF":0.0000,"publicationDate":"2016-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"12","resultStr":"{\"title\":\"Fostering Creativity in Creative Environments: An Empirical Study of Saudi Architectural Firms\",\"authors\":\"A. ElMelegy, Qadir Mohiuddin, J. Boronico, Ahmed Maasher\",\"doi\":\"10.7903/CMR.14431\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"INTRODUCTIONIntense global competition is forcing the development of a culture that nurtures creativity. Conceptually, creativity is hard to define, and even when organizations succeed in innovation projects, managers are not always satisfied with the results (Fagerberg, Mowery, & Nelson, 2006). What can be done, however, is to establish a culture and environment that fosters value-added services (Coveney, 2008; Kozbelt, Beghetto, & Runco, 2010). In keeping with earlier realities of global competition, which certainly still hold true now, Amabile (1988, p. 126) asserted that creative employees have become the source of original and potentially useful ideas and solutions for a firm's renewal of products, services, and processes.Organizational creativity is considered a new research area (Shalley, Gilson, & Blum, 2009). The main focus of recent research on creativity has been on creative subprocesses in an operational sense (Rietzschel, De Dreu, & Nijstad, 2009) where there is an obvious need for an integrative framework for creativity applications in open and continuously innovative workplaces (Scharmer, 2009). The ability to develop a culture that nurtures creativity is crucial and if it does not occur spontaneously, managers need to take responsibility to establish the right work environment, as well as to develop innovation strategies that foster new ideas to be transformed into value-added services (Coveney, 2008).In the Kingdom of Saudi Arabia, construction and architectural design have experienced a significant boom in recent decades. This offers possibilities for researching the nexus between creativity, innovation and Saudi architectural firms' support for creativity. Thus, this paper examines the relationship between architectural design-related management practices and creativity in Saudi Arabia. The purpose of this study is to explore the factors affecting organizational creativity in five architectural firms operating in Saudi Arabia using Amabile's componential theory. The objective is to validate the hypotheses of this theory to help executives and decision makers in Saudi architectural firms to enhance their understanding of what makes their employees, and specifically designers, more creative and their organizations more innovative.THEORETICAL CONTEXT AND RESEARCH HYPOTHESESCreativity and Innovation in the WorkplaceCreativity is \\\"the production of novel and useful ideas in any domain\\\" (Amabile, Conti, Coon, Lazenby, & Herron, 1996, p. 1155). Hennessey and Amabile (2010) stated that creativity is the production of a novel and appropriate response or solution to a problem. The response must be new, valuable, and fitting to a particular goal. The terms creativity and innovation are also often stated in tandem in practice although there are some variations in meaning (Hunter, Bedell, & Mumford, 2007). The main distinction between the two is that creativity is the generation of creative ideas while innovation is the implementation of these ideas (Heye, 2006). The role of individual creativity in fostering organizational creativity and innovation is an essential ingredient for longterm success and survival (Amabile, Burnside, & Gryskiewicz, 1999; Pitta, 2009).Organizational creativity is defined as \\\"the creation of a valuable, useful new product, service, idea, procedure, or process by individuals working together in a complex social system\\\" (Woodman, Sawyer, & Griffin, 1993, p. 293). Pitta (2009) proposed that one of the key drivers of organizational creativity is the strong support of individual creativity. Coelho, Augusto, and Lages (2011) emphasized the need for an organizational culture that supports individual creativity and innovation. Organizations which failed to foresee the importance of creativity activities have had higher failure rates because of their weakness in establishing a culture and climate that values new ideas. Fostering creativity in the organizational culture would promote innovation and increase competitiveness. …\",\"PeriodicalId\":36973,\"journal\":{\"name\":\"Contemporary Management Research\",\"volume\":\"12 1\",\"pages\":\"89-120\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-03-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"12\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Management Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7903/CMR.14431\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Economics, Econometrics and Finance\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Management Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7903/CMR.14431","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Economics, Econometrics and Finance","Score":null,"Total":0}
引用次数: 12

摘要

激烈的全球竞争正迫使培养创造力的文化发展。从概念上讲,创造力是很难定义的,即使组织在创新项目中取得成功,管理者也并不总是对结果感到满意(Fagerberg, Mowery, & Nelson, 2006)。然而,可以做的是建立一种促进增值服务的文化和环境(Coveney, 2008;Kozbelt, Beghetto, & Runco, 2010)。Amabile(1988,第126页)断言,与全球竞争的早期现实保持一致,创造性员工已经成为公司更新产品、服务和流程的原始和潜在有用的想法和解决方案的来源。组织创造力被认为是一个新的研究领域(Shalley, Gilson, & Blum, 2009)。最近关于创造力的研究主要集中在操作意义上的创造性子过程(Rietzschel, De Dreu, & Nijstad, 2009),其中显然需要一个在开放和不断创新的工作场所中应用创造力的综合框架(Scharmer, 2009)。培养培养创造力的文化的能力是至关重要的,如果它不是自发发生的,管理者需要承担责任,建立正确的工作环境,以及制定创新战略,促进新想法转化为增值服务(Coveney, 2008)。在沙特阿拉伯王国,近几十年来,建筑和建筑设计经历了一个显著的繁荣。这为研究创造力、创新和沙特建筑公司对创造力的支持之间的联系提供了可能性。因此,本文考察了沙特阿拉伯建筑设计相关管理实践与创造力之间的关系。本研究的目的是利用Amabile的成分理论探讨在沙特阿拉伯经营的五家建筑公司的组织创造力的影响因素。目的是验证这一理论的假设,以帮助沙特建筑公司的高管和决策者提高他们对员工,特别是设计师,更具创造力和组织更具创新性的理解。理论背景和研究假设工作场所的创造力和创新创造力是“在任何领域产生新颖和有用的想法”(Amabile, Conti, Coon, Lazenby, & Herron, 1996, p. 1155)。Hennessey和Amabile(2010)指出,创造力是对问题做出新颖而适当的反应或解决方案。回应必须是新颖的、有价值的、适合特定目标的。尽管在含义上有一些变化,但在实践中,创造力和创新这两个术语也经常被放在一起陈述(Hunter, Bedell, & Mumford, 2007)。两者的主要区别在于,创造力是产生创造性的想法,而创新是实施这些想法(Heye, 2006)。个人创造力在促进组织创造力和创新方面的作用是长期成功和生存的重要因素(Amabile, Burnside, & Gryskiewicz, 1999;皮塔饼,2009)。组织创造力被定义为“在一个复杂的社会系统中,个人共同努力创造出有价值的、有用的新产品、服务、想法、程序或过程”(伍德曼、索耶和格里芬,1993年,第293页)。Pitta(2009)提出组织创造力的关键驱动因素之一是个体创造力的强大支持。Coelho, Augusto和Lages(2011)强调需要一种支持个人创造力和创新的组织文化。未能预见到创造性活动的重要性的组织有更高的失败率,因为他们在建立重视新想法的文化和氛围方面存在弱点。在组织文化中培养创造力可以促进创新,提高竞争力。…
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Fostering Creativity in Creative Environments: An Empirical Study of Saudi Architectural Firms
INTRODUCTIONIntense global competition is forcing the development of a culture that nurtures creativity. Conceptually, creativity is hard to define, and even when organizations succeed in innovation projects, managers are not always satisfied with the results (Fagerberg, Mowery, & Nelson, 2006). What can be done, however, is to establish a culture and environment that fosters value-added services (Coveney, 2008; Kozbelt, Beghetto, & Runco, 2010). In keeping with earlier realities of global competition, which certainly still hold true now, Amabile (1988, p. 126) asserted that creative employees have become the source of original and potentially useful ideas and solutions for a firm's renewal of products, services, and processes.Organizational creativity is considered a new research area (Shalley, Gilson, & Blum, 2009). The main focus of recent research on creativity has been on creative subprocesses in an operational sense (Rietzschel, De Dreu, & Nijstad, 2009) where there is an obvious need for an integrative framework for creativity applications in open and continuously innovative workplaces (Scharmer, 2009). The ability to develop a culture that nurtures creativity is crucial and if it does not occur spontaneously, managers need to take responsibility to establish the right work environment, as well as to develop innovation strategies that foster new ideas to be transformed into value-added services (Coveney, 2008).In the Kingdom of Saudi Arabia, construction and architectural design have experienced a significant boom in recent decades. This offers possibilities for researching the nexus between creativity, innovation and Saudi architectural firms' support for creativity. Thus, this paper examines the relationship between architectural design-related management practices and creativity in Saudi Arabia. The purpose of this study is to explore the factors affecting organizational creativity in five architectural firms operating in Saudi Arabia using Amabile's componential theory. The objective is to validate the hypotheses of this theory to help executives and decision makers in Saudi architectural firms to enhance their understanding of what makes their employees, and specifically designers, more creative and their organizations more innovative.THEORETICAL CONTEXT AND RESEARCH HYPOTHESESCreativity and Innovation in the WorkplaceCreativity is "the production of novel and useful ideas in any domain" (Amabile, Conti, Coon, Lazenby, & Herron, 1996, p. 1155). Hennessey and Amabile (2010) stated that creativity is the production of a novel and appropriate response or solution to a problem. The response must be new, valuable, and fitting to a particular goal. The terms creativity and innovation are also often stated in tandem in practice although there are some variations in meaning (Hunter, Bedell, & Mumford, 2007). The main distinction between the two is that creativity is the generation of creative ideas while innovation is the implementation of these ideas (Heye, 2006). The role of individual creativity in fostering organizational creativity and innovation is an essential ingredient for longterm success and survival (Amabile, Burnside, & Gryskiewicz, 1999; Pitta, 2009).Organizational creativity is defined as "the creation of a valuable, useful new product, service, idea, procedure, or process by individuals working together in a complex social system" (Woodman, Sawyer, & Griffin, 1993, p. 293). Pitta (2009) proposed that one of the key drivers of organizational creativity is the strong support of individual creativity. Coelho, Augusto, and Lages (2011) emphasized the need for an organizational culture that supports individual creativity and innovation. Organizations which failed to foresee the importance of creativity activities have had higher failure rates because of their weakness in establishing a culture and climate that values new ideas. Fostering creativity in the organizational culture would promote innovation and increase competitiveness. …
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Contemporary Management Research
Contemporary Management Research Economics, Econometrics and Finance-Economics and Econometrics
CiteScore
3.20
自引率
0.00%
发文量
3
期刊最新文献
Key Determinants and Consequences of Brand Citizenship Behavior Factors Influencing Green Purchase Behavior: Price Sensitivity, Perceived Risk, and Attitude towards Green Products Impact of Perceived Organizational Support on Constructive Deviance among Frontline Employees in Commercial Banks: Do Organizational Identification and Psychological Safety Matter? Positive Relationships between Service Performance and Social Media Use in Internet Retailing The Role of Community Engagement and Entrepreneurship in the Sustainability Performance of Social Ventures in South Korea
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1