{"title":"天使、客人和悲伤者：保罗·帕索里尼电影中的银幕诗歌","authors":"Thomas Allen","doi":"10.3366/film.2023.0238","DOIUrl":null,"url":null,"abstract":"Film-Philosophy, Volume 27, Issue 3, Page 377-400, October, 2023. <br/>","PeriodicalId":42990,"journal":{"name":"Film-Philosophy","volume":"8 11","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Angels, Guests and Sadists: On-Screen Poetry in the Cinema of Pier Paolo Pasolini\",\"authors\":\"Thomas Allen\",\"doi\":\"10.3366/film.2023.0238\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Film-Philosophy, Volume 27, Issue 3, Page 377-400, October, 2023. <br/>\",\"PeriodicalId\":42990,\"journal\":{\"name\":\"Film-Philosophy\",\"volume\":\"8 11\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-10-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Film-Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/film.2023.0238\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film-Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/film.2023.0238","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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